Whether it's your first Bonnaroo or you’re a music festival veteran, we welcome you to Inforoo.
Here you'll find info about artists, rumors, camping tips, and the infamous Roo Clues. Have a look around then create an account and join in the fun. See you at Bonnaroo!!
Speaking on Amazon, the new Future Islands album is on vinyl there for $10 - great deal if you're a Prime member with free shipping.
Wow thanks for the heads up. It feels like they have cheaper prices than normal right now. I got Sunbathing Animal - Parquet Courts, Atlas - Real Estate and Our Love - Caribou for a combined $36.
My Christmas haul included: Allman Brothers - Live at Filmore East Steve Martin - Let's Get Small Steve Martin - A Wild and Crazy Guy Preservation Hall Jazz Band - Vol. 1 (70s lineup) Mercury Theatre - Orson Welles' "War of the Worlds" And the Jack White vault package
Has anyone tried "Vinyl Me Please"? It's similar to Third Man Records but they send out a limited edition album each month and include unique artwork, etc.
I requested an invite for it just to see their price a couple of days ago and got the invite yesterday with the options: $27 / month (album) $75 / 3 month (saves 10%) - $25/album $284 / annual (saves (13%) - $23.67/album Think I'm gonna try out the 3 month deal.
I am thinking about trying it, too. It has had great feedback and I love the January release they're doing.
Family and friends went a little overboard this year, but I'm not complaining: 1999- Prince Madmen Across the Water- Elton John $ingle$ 2- Ty Segall LP1- FKA Twigs Our Love- Caribou Sun Structures- Temples On Tour with Eric Clapton- Delaney & Bonnie & Friends Live At the Old Quarter, Houston, Texas- Townes Van Zandt
Scored it on popmarket deal the other day for $95. $25 cheaper than anywhere else I've seen.
dude i just got that in last week as well. super awesome set, though I paid like $125 on amazon for it.
the felt mat is basically the same as the stock rega mat, so I put it on my rega. anyway really flawless vinyl, i've listened to everything except the bonus "encore" vinyl and they all sound awesome.
Post by itrainmonkeys on Jan 2, 2015 14:47:25 GMT -5
Audiophiles have a laundry list of reasons why you should be buying your music on vinyl, but with DJ Qbert's new album Extraterrestria, aspiring turntablists now have a reason to skip the MP3s too. Using printed MIDI technology from a company called Novalia, the artwork in the vinyl's sleeve doubles as a DJ controller for Algoriddim's djay iOS app.
The album's touch-sensitive artwork includes a functional crossfader, cue buttons, and even a pair of non-spinning wheels of steel paper that control the djay app using a Bluetooth connection to your iPhone or iPad. It won't turn you into an Invisibl Skratch Piklz-caliber DJ, but for anyone who backed the album's Kickstarter campaign, it's a better bonus than a handful of stickers or a t-shirt. [YouTube via Engadget via Fact Mag]
My new record player should be arriving this afternoon! I'm sooper excited. I haven't listened to anything on vinyl in a while. The hard part is gonna be deciding what to play first...
5.5/four tet, daphni b2b floating points, avalon emerson 5.12/neil young 5.19/mannequin pussy 5.21/serpentwithfeet 5.25/hozier 6.12-16/bonnaroo 6.28/goose 6.29/goose 9.17/the national + the war on drugs 9.23/sigur ros 9.27-29/making time 10.17/air
My new record player should be arriving this afternoon! I'm sooper excited. I haven't listened to anything on vinyl in a while. The hard part is gonna be deciding what to play first...
sweet man what turntable did you end up getting? i forgot if you already mentioned it.
My new record player should be arriving this afternoon! I'm sooper excited. I haven't listened to anything on vinyl in a while. The hard part is gonna be deciding what to play first...
sweet man what turntable did you end up getting? i forgot if you already mentioned it.
I had a few giftcards for Kohl's so I got a portable Crosley one...probably the same one billybaroo just sold lol.
5.5/four tet, daphni b2b floating points, avalon emerson 5.12/neil young 5.19/mannequin pussy 5.21/serpentwithfeet 5.25/hozier 6.12-16/bonnaroo 6.28/goose 6.29/goose 9.17/the national + the war on drugs 9.23/sigur ros 9.27-29/making time 10.17/air
I had a few giftcards for Kohl's so I got a portable Crosley one...probably the same one billybaroo just sold lol.
cool man, it could be the gateway drug! if you enjoy the vinyl experience you can always upgrade down the road.
I mostly got it because I have around 40 or so records but nothing to play 'em on, and they're really good albums to so I can't bear to part with them. So now I'm in my room rocking my ass off to some Beatles lol. What is it about the "vinyl experience" that you find more captivating than other methods of playing?
5.5/four tet, daphni b2b floating points, avalon emerson 5.12/neil young 5.19/mannequin pussy 5.21/serpentwithfeet 5.25/hozier 6.12-16/bonnaroo 6.28/goose 6.29/goose 9.17/the national + the war on drugs 9.23/sigur ros 9.27-29/making time 10.17/air
cool man, it could be the gateway drug! if you enjoy the vinyl experience you can always upgrade down the road.
I mostly got it because I have around 40 or so records but nothing to play 'em on, and they're really good albums to so I can't bear to part with them. So now I'm in my room rocking my ass off to some Beatles lol. What is it about the "vinyl experience" that you find more captivating than other methods of playing?
If you think about it in terms of guitar amps, why are tube amps preferable to digital amps? To me its the warmth that analog gives you vs the cold crassness that a digital amp gives you. Course I'm completely talking out of my ass and postjack can prolly give you a much more informed answer. Simply put, with the right equipment, vinyl just sounds better.
I've been using my Third Man Crosley since I moved and now I want an upgrade but I'm poor as shit. My favorite record store is suggesting a Nu-Mark TTUSB as the next step for just $120. Thoughts?
I've been using my Third Man Crosley since I moved and now I want an upgrade but I'm poor as shit. My favorite record store is suggesting a Nu-Mark TTUSB as the next step for just $120. Thoughts?
That might be a fine turntable. I don't know. I'd save up a little longer and get something like the Rega RP1 which typically runs about $400 and already has a good cartridge. It's the player I have anyhow and I'm not concerned with getting any upgrade anytime in the foreseeable future. I also have Rega floor speakers and one of the lower end Rega amps with only volume adjustment. I think I paid a couple of hundred over a grand for the whole package. With the amp pre-set the bass has a crisper sound, less airy, but I enjoy it. Sometimes an electronic album might suffer a bit from this sound if you're looking to hear mainly the bass. I have no complaints about it as I get to hear so much more in the song this way than the thump.
I've been using my Third Man Crosley since I moved and now I want an upgrade but I'm poor as shit. My favorite record store is suggesting a Nu-Mark TTUSB as the next step for just $120. Thoughts?
That might be a fine turntable. I don't know. I'd save up a little longer and get something like the Rega RP1 which typically runs about $400 and already has a good cartridge. It's the player I have anyhow and I'm not concerned with getting any upgrade anytime in the foreseeable future. I also have Rega floor speakers and one of the lower end Rega amps with only volume adjustment. I think I paid a couple of hundred over a grand for the whole package. With the amp pre-set the bass has a crisper sound, less airy, but I enjoy it. Sometimes an electronic album might suffer a bit from this sound if you're looking to hear mainly the bass. I have no complaints about it as I get to hear so much more in the song this way than the thump.
I was doing some reading on the Numark and even though all the reviews were pretty positive, there's some red flags. Almost everything positive in the reviews was about the ability to convert using Audacity. The turntable is completely manual. I enjoy the manual arm on my Crosley but also like the auto on/off motor so I don't have to worry about walking away with a record playing. Apparently the needle sucks and the speed is constantly varying too.
cool man, it could be the gateway drug! if you enjoy the vinyl experience you can always upgrade down the road.
I mostly got it because I have around 40 or so records but nothing to play 'em on, and they're really good albums to so I can't bear to part with them. So now I'm in my room rocking my ass off to some Beatles lol. What is it about the "vinyl experience" that you find more captivating than other methods of playing?
umphlovecincy put it well. keep in mind i'm not a scientist or sound engineer or anything just a audio fan who has spent too much time reading about audio crap so this is just what I've gleaned from stuff I've read and my own experience:
Digital, by all accounts, is objectively more accurate than any analog medium. It has the ability to play a greater amount of the audible spectrum, and does so with absolute precision. By most objective measurements, until the Nyquist theorem is disproved, the "redbook" digital format, aka the compact disc format, aka 16/44.1, is the "perfect" way to reproduce recorded sound. It covers the entire frequency spectrum audible to human ears and then some. Which is why I think the push for hi-rez recordings, 24/96, 24/192, etc., is bullshit. That and I personally can't hear the difference between 16/44.1 and higher resolutions, and certain non-scientific studies have found that a sample of audiophiles can't either, even if that sample are hi-rez believers. I'm digressing. Anyway, this "perfection" thing led to sony's original slogan for the CD, "Perfect Sound Forever", which audiophiles love to make fun of.
Despite CD objectively offering perfect sound, to some people, vinyl sounds more pleasing to the ear. Similar to what umphlovescincy said, solid state amplification offers objectively, measureably better sound, but tube amps still remain popular, again, because the distortion added by tube amps are more pleasing to some ears.
I have a couple different headphone amps: an Oppo HA-1, which is class A solid state, and a Singlepower Supra, which is a tube amp that uses three 6SN7 tubes. I primarily use the Sennheiser HD800 with these amps, and to my ears, the Supra is clearly superior, even though it is objectively, measureably an inferior design. The tubes add just the slightest bit of sweetness to the sound, and just the tiniest bit of bass bloom. This is actually "tube coloration", meaning its not accurately giving me what is in the recording, but taking the recording and making some very subtle changes to the sound. So not as accurate, but for some reason more enjoyable.
Vinyl vs CD, in my mind, is similar to tube vs solid state. Vinyl is not as accurate. Its not going to have nearly as low a noisefloor as CD, and its not going to reproduce the highest highs and the lowest lows with the same accuracy as CD. But vinyl adds something to the sound, some kind of warmth, some kind of sweetness, some kind of liquidity (sorry for the lame audiophiles words but its hard to explain without them) that you don't always get with CD.
Having said that, you absolutely cannot say that any recording on vinyl will be more pleasing then the same recording on CD. I love redbook and digital dearly, and listen to just as many CDs or FLAC files as I do vinyl. 16/44.1 can sound absolutely amazing if recorded, mixed, and mastered properly. But the problem is the dawn of digital recording brought about a horde of recording sins, most easily embodied by the term the loudness wars, which is basically the tendency of audio engineers to make recordings louder and louder and louder, thereby squashing the dynamic range of the recording and generally making them sound bad. Metallica's "Death Magnetic" is one of the worst offenders of this "brickwalling" process, but there are countless recordings over the past couple of decades that have been completely destroyed in the mix or master. Unfortunately, many classic rock recordings have been "remastered" over the past 20 years. Sometimes these remasters are pretty good (The Beatles), sometimes they are fucking horrible (Genesis).
So at least for classic rock, vinyl gives you an opportunity to buy an original or early pressing of the record, often for just a few bucks depending on the release, and hear the recording as it was originally intended to be heard. Modern vinyl releases are a different story, since many new vinyl releases are sourced from digital, and if the digital master is loud and brickwalled and futzed with, the vinyl will sound just as shitty, if not shittier, than the CD.
But a modern vinyl release handled with care, even if sourced from a digital file, can sound amazing. But getting a piece of vinyl from an all analog chain (recorded in analog, master in analog, analog format) can lead to a pretty awesome listening experience. Again, objectively analog is a far worse medium for music production and music reproduction, but for some reason some ears prefer it!
In summary:
-A well mastered, well mixed 16/44.1 recording can sound amazing. -A well mastered, well mixed vinyl can sound amazing. -Some people prefer vinyl overall, despite its sonic limitations, because it colors the music in a way that is more pleasing to the human ear.
As far as non-sonic reasons to love vinyl, for me personally, it makes listening to music more of an event. I pick out a vinyl, open it up, turn on all my equipment, put the record on and lower the needle, get into the "sweet spot" listening area, and just listen. I connect with the music more, maybe because I put more effort into setting up the listening experience. I am less likely to multitask when listening to vinyl, and spend time instead just enjoying the music.
Also I like the way bass sounds better on vinyl and bass is awesome. Check out some New Order 12" original pressings (I suggest Confusion) and that bass makes you understand why rave culture started.
Sorry I went on a little too long and maybe went a bit off topic, but I think these are the reasons why I prefer vinyl.
That might be a fine turntable. I don't know. I'd save up a little longer and get something like the Rega RP1 which typically runs about $400 and already has a good cartridge. It's the player I have anyhow and I'm not concerned with getting any upgrade anytime in the foreseeable future. I also have Rega floor speakers and one of the lower end Rega amps with only volume adjustment. I think I paid a couple of hundred over a grand for the whole package. With the amp pre-set the bass has a crisper sound, less airy, but I enjoy it. Sometimes an electronic album might suffer a bit from this sound if you're looking to hear mainly the bass. I have no complaints about it as I get to hear so much more in the song this way than the thump.
I was doing some reading on the Numark and even though all the reviews were pretty positive, there's some red flags. Almost everything positive in the reviews was about the ability to convert using Audacity. The turntable is completely manual. I enjoy the manual arm on my Crosley but also like the auto on/off motor so I don't have to worry about walking away with a record playing. Apparently the needle sucks and the speed is constantly varying too.
Back to the drawing board
If $120 is your price range you should look into getting a vintage turntable on ebay. There are tons of great tables from the 70's and 80's available for less than that. I also think the U-Turn Orbit falls in that price range and I've seen good reviews on that.
Don't forget you'll also need a receiver and speakers and a pre-amp (unless your receiver comes with a phono input.
I mostly got it because I have around 40 or so records but nothing to play 'em on, and they're really good albums to so I can't bear to part with them. So now I'm in my room rocking my ass off to some Beatles lol. What is it about the "vinyl experience" that you find more captivating than other methods of playing?
umphlovecincy put it well. keep in mind i'm not a scientist or sound engineer or anything just a audio fan who has spent too much time reading about audio crap so this is just what I've gleaned from stuff I've read and my own experience:
Digital, by all accounts, is objectively more accurate than any analog medium. It has the ability to play a greater amount of the audible spectrum, and does so with absolute precision. By most objective measurements, until the Nyquist theorem is disproved, the "redbook" digital format, aka the compact disc format, aka 16/44.1, is the "perfect" way to reproduce recorded sound. It covers the entire frequency spectrum audible to human ears and then some. Which is why I think the push for hi-rez recordings, 24/96, 24/192, etc., is bullshit. That and I personally can't hear the difference between 16/44.1 and higher resolutions, and certain non-scientific studies have found that a sample of audiophiles can't either, even if that sample are hi-rez believers. I'm digressing. Anyway, this "perfection" thing led to sony's original slogan for the CD, "Perfect Sound Forever", which audiophiles love to make fun of.
Despite CD objectively offering perfect sound, to some people, vinyl sounds more pleasing to the ear. Similar to what umphlovescincy said, solid state amplification offers objectively, measureably better sound, but tube amps still remain popular, again, because the distortion added by tube amps are more pleasing to some ears.
I have a couple different headphone amps: an Oppo HA-1, which is class A solid state, and a Singlepower Supra, which is a tube amp that uses three 6SN7 tubes. I primarily use the Sennheiser HD800 with these amps, and to my ears, the Supra is clearly superior, even though it is objectively, measureably an inferior design. The tubes add just the slightest bit of sweetness to the sound, and just the tiniest bit of bass bloom. This is actually "tube coloration", meaning its not accurately giving me what is in the recording, but taking the recording and making some very subtle changes to the sound. So not as accurate, but for some reason more enjoyable.
Vinyl vs CD, in my mind, is similar to tube vs solid state. Vinyl is not as accurate. Its not going to have nearly as low a noisefloor as CD, and its not going to reproduce the highest highs and the lowest lows with the same accuracy as CD. But vinyl adds something to the sound, some kind of warmth, some kind of sweetness, some kind of liquidity (sorry for the lame audiophiles words but its hard to explain without them) that you don't always get with CD.
Having said that, you absolutely cannot say that any recording on vinyl will be more pleasing then the same recording on CD. I love redbook and digital dearly, and listen to just as many CDs or FLAC files as I do vinyl. 16/44.1 can sound absolutely amazing if recorded, mixed, and mastered properly. But the problem is the dawn of digital recording brought about a horde of recording sins, most easily embodied by the term the loudness wars, which is basically the tendency of audio engineers to make recordings louder and louder and louder, thereby squashing the dynamic range of the recording and generally making them sound bad. Metallica's "Death Magnetic" is one of the worst offenders of this "brickwalling" process, but there are countless recordings over the past couple of decades that have been completely destroyed in the mix or master. Unfortunately, many classic rock recordings have been "remastered" over the past 20 years. Sometimes these remasters are pretty good (The Beatles), sometimes they are fucking horrible (Genesis).
So at least for classic rock, vinyl gives you an opportunity to buy an original or early pressing of the record, often for just a few bucks depending on the release, and hear the recording as it was originally intended to be heard. Modern vinyl releases are a different story, since many new vinyl releases are sourced from digital, and if the digital master is loud and brickwalled and futzed with, the vinyl will sound just as shitty, if not shittier, than the CD.
But a modern vinyl release handled with care, even if sourced from a digital file, can sound amazing. But getting a piece of vinyl from an all analog chain (recorded in analog, master in analog, analog format) can lead to a pretty awesome listening experience. Again, objectively analog is a far worse medium for music production and music reproduction, but for some reason some ears prefer it!
In summary:
-A well mastered, well mixed 16/44.1 recording can sound amazing. -A well mastered, well mixed vinyl can sound amazing. -Some people prefer vinyl overall, despite its sonic limitations, because it colors the music in a way that is more pleasing to the human ear.
As far as non-sonic reasons to love vinyl, for me personally, it makes listening to music more of an event. I pick out a vinyl, open it up, turn on all my equipment, put the record on and lower the needle, get into the "sweet spot" listening area, and just listen. I connect with the music more, maybe because I put more effort into setting up the listening experience. I am less likely to multitask when listening to vinyl, and spend time instead just enjoying the music.
Also I like the way bass sounds better on vinyl and bass is awesome. Check out some New Order 12" original pressings (I suggest Confusion) and that bass makes you understand why rave culture started.
Sorry I went on a little too long and maybe went a bit off topic, but I think these are the reasons why I prefer vinyl.
Wonderful. Thank you! The records I have are old and were improperly stored, so sometimes I can hear a little bit of warping and such. I'm looking forward to getting something new so I can hear what it sounds like fresh out of the sleeve. Also, do you think that using the aux output on my turntable to plug it into a set of speakers affects the sound much, since it's then kinda being converted to digital (I assume)? Or is it only whether the source is analog/digital that matters?
Last Edit: Jan 3, 2015 11:25:22 GMT -5 by Jaz - Back to Top
5.5/four tet, daphni b2b floating points, avalon emerson 5.12/neil young 5.19/mannequin pussy 5.21/serpentwithfeet 5.25/hozier 6.12-16/bonnaroo 6.28/goose 6.29/goose 9.17/the national + the war on drugs 9.23/sigur ros 9.27-29/making time 10.17/air
Wonderful. Thank you! The records I have are old and were improperly stored, so sometimes I can hear a little bit of warping and such. I'm looking forward to getting something new so I can hear what it sounds like fresh out of the sleeve. Also, do you think that using the aux output on my turntable to plug it into a set of speakers affects the sound much, since it's then kinda being converted to digital (I assume)? Or is it only whether the source is analog/digital that matters?
Nah aux out is still an analog output.
And again, just to emphasize, I don't personally see digital as some terrible thing, its just much easier for the recording/mix/master to be screwed up in the digital domain when the music is recorded/mixed/mastered. I have a shitload of awesome sounding digital recordings. A lot of the early CD releases from the 80s were pretty much just transfers of the original analog tape and they sound amazing. Similarly modern releases from labels like Mobile Fidelity sound awesome, and artists who take care with their digital recordings produce awesome sounding music too (LCD Soundsystem comes to mind, his stuff always sounds great).
I think vinyl is such a revelation to many because they've grown up on bad digital recordings, and hearing a pure analog recording is such a different experience.
I was doing some reading on the Numark and even though all the reviews were pretty positive, there's some red flags. Almost everything positive in the reviews was about the ability to convert using Audacity. The turntable is completely manual. I enjoy the manual arm on my Crosley but also like the auto on/off motor so I don't have to worry about walking away with a record playing. Apparently the needle sucks and the speed is constantly varying too.
Back to the drawing board
If $120 is your price range you should look into getting a vintage turntable on ebay. There are tons of great tables from the 70's and 80's available for less than that. I also think the U-Turn Orbit falls in that price range and I've seen good reviews on that.
Don't forget you'll also need a receiver and speakers and a pre-amp (unless your receiver comes with a phono input.
I was pissed that I had to leave this sexy beast behind in CT. I bought it from some guy for $20 (he threw in a bunch of records too)
Post by itrainmonkeys on Jan 6, 2015 12:49:14 GMT -5
New Third Man Records Vault release. Hard to top the last one (Bonnaroo Jack White show):
As 2015 marks ten years since the release of the White Stripes’ Get Behind Me Satan album and tour, Third Man Records is proud to use that as the focus of its 23rd Vault package. Completely dedicated to the White Stripes and highlighting their time in South America in 2005, this release should leave fans beyond satisfied.
Anchoring the box is the double LP Under Amazonian Lights recorded live in Manaus, Brazil on June 1st, 2005. Described by the local press as “deliciously irresponsible” and the first rock concert ever at the grand Teatro Amazonas Opera House, the performance that night was nothing short of amazing. Featuring a sublime cover of Bob Dylan’s “Lovesick Blues”, two versions (one electric, one acoustic) of “The Same Boy You’ve Always Known,” two versions of “Passive Manipulation” (both sublime), a snippet of Howlin Wolf’s “I Asked For Water,” and ample marimba on “The Nurse,” and what you have is one of the most iconic and memorable shows the White Stripes ever played. Both LPs will be pressed on blood red vinyl with stark black wisps.
So it should come as no surprise that we’d pair this LP with DVD footage from that performance. Words do not ably describe the beauty of the Teatro Amazonas nor the furor riled up by the White Stripes appearance. Not only was there fear that the amplification of the band would cause the plaster in the building to crack and possible fall and injure attendees, but out of custom/fear/lord-knows-what the crowd remained seated until being explicitly asked to stand from the stage by Jack White himself. If that wasn’t enough, during the show Jack and Meg ventured outside the venue to play an entirely unamplified version of “We Are Going to Be Friends” for the assembled multitude of fans unable to purchase tickets and watching the performance via closed-circuit feed. The resultant melee was arguably a riot and was lovingly captured by the film crew documenting that evening’s importance. All together what it makes is one of the best true rock and roll moments of the past decade. Heck, Jack White even got married that day.
The accompanying 7” single is a perfect example of the material the Vault was explicitly created to release. “Let You Down” is a solo recording done by Jack White roundabout the year 2000. Featuring both electric guitar and electric bass, the true meat here is the multi-tracked four-part harmony voiced by White throughout the song. The entirety of lyrics here “No I’m never, no I’m never, no I’m never gonna let you down now” would be repurposed into the White Stripes 2005 recording “The Nurse” and the overall germination illustrated here is devilishly insightful. The b-side “Ain’t No Sweeter Than Rita Blues” is a quintessential White Stripes guitar/drums outtake instrumental that was recorded during the tracking of Get Behind Me Satan and subsequently unused and forgotten for the past ten years. Dare we say it’s everything you hope it would be, pressed on wonderful white vinyl and ready for your love.
If that was not enough (and really, it should be) Third Man has decided to throw caution to the wind and absolutely overload this package with more extras than any sane record label would ever consider. We’ve poked the Grammy Award-winning designer Rob Jones to put together a collection of newly designed postcards celebrating the White Stripes performances in Brazil in 2005. In one word…stunning. Rob was gracious enough to throw in a badass death head monkey design that was so tasty we had to turn it into substantive enamel pin. A silk-screened White Stripes poster with some super-secret hidden glow in the dark graphics was a no-brainer. If you’re wondering where you’ll keep this vast assortment of sundries, worry you no longer…a soft touch, telescoping box with the same devilish death head monkey graphic on the cover will become a new member in Vault households worldwide. Join the family now.
LP tracklisting:
Blue Orchid Dead Leaves and the Dirty Ground Black Math Love Sick (Bob Dylan) My Doorbell Passive Manipulation Hotel Yorba The Same Boy You’ve Always Known (electric) The Same Boy You’ve Always Known (acoustic) Little Ghost When I Hear My Name I Asked For Water (Howlin Wolf) Fell in Love With a Girl The Nurse Little Bird Death Letter (Son House) St. James Infirmary (traditional) Screwdriver Passive Manipulation (reprise) I Just Don’t Know What to Do With Myself (I’ll Be With You) In Apple Blossom Time (Albert Von Tilzer/Neville Fleeson) I Just Don’t Know What to Do With Myself (continued) Seven Nation Army
If you're not currently a member, sign up for Vault Package #23 HERE. The sign-up deadline is January 31st... less than one month away!
Post by itrainmonkeys on Jan 6, 2015 12:52:00 GMT -5
I LOVE that they are packaging these in the soft touch box. The Jack White Bonnaroo vault package and the smaller box they used for 7" singles on a previous package are so damn smooth and make storage much easier.
I haven't tried VinylMePlease but it seems like it's something similar to this other service I just read about that bills itself as the Netflix of Vinyl.
VinylMePlease sounds neat but I can't afford anything at the moment. It's bad enough I'm getting the next Vault subscription and I can't be spending an extra $30 a month. Sounds like a good deal though.