Whether it's your first Bonnaroo or you’re a music festival veteran, we welcome you to Inforoo.
Here you'll find info about artists, rumors, camping tips, and the infamous Roo Clues. Have a look around then create an account and join in the fun. See you at Bonnaroo!!
Just purchased a Nikon D90 and a Nikkor 10.5mm Fisheye lens. Boy did that put a dent in my pocket. Estimated arrival--- Tuesday or Wednesday. I figured if I was spending 1700+ I should just go ahead and get the Black Keys new album on vinyl. What's another 25 anyway?
So no to bringing in an additional lens? I guess I will have to take turns with the 18-105 and the 10.5 fisheye...
I heard the Nikons aren't very good with shooting HD video... the Canons are where it's at for recording.
Don't know if you're cruzing around w/ anyone but you could always throw the extra lense in their bag wrapped in a shirt or something untill you get past security... would be nice to have the option to switch out to the fisheye rather than picking, that would be a tougher decision than last years sat. late-night sets... ;D
Post by questionablesanity on Jun 4, 2010 7:03:33 GMT -5
Why did you buy a fisheye? I've never seen the appeal for that lens unless you're shooting funky landscape photos. I guess it'd be nice to have in centeroo for atmosphere but they are just too distorted for my tastes when shooting a band. The 18-105 will be nice. Also, why did you get the d90 if you don't think Nikons are good for recording HD?
Beau, why didn't you just go to a different line? Last year, they didn't bat an eye when I took my D60 in. I just slung it over my shoulder over ny camelbak. I guarantee that I'll get my d300 in this year, but I'm only taking the nifty fifty on it. I'm leaving my other lenses at home. I love the 50mm.
A Thieve's Parade 2/24 Conspirator 2/26 Kevin Smith 3/11 Keller 3/17 Papadosio 3/18 JJ Grey 3/25 Bela Fleck/Edgar Meyer 3/26 Toubab Krewe 3/27 O'Death 4/11 Budos Band 4/22 EOTO 4/28 Summer Camp 5/6-29 All Good
Why did you buy a fisheye? I've never seen the appeal for that lens unless you're shooting funky landscape photos. I guess it'd be nice to have in centeroo for atmosphere but they are just too distorted for my tastes when shooting a band. The 18-105 will be nice. Also, why did you get the d90 if you don't think Nikons are good for recording HD?
Beau, why didn't you just go to a different line? Last year, they didn't bat an eye when I took my D60 in. I just slung it over my shoulder over ny camelbak. I guarantee that I'll get my d300 in this year, but I'm only taking the nifty fifty on it. I'm leaving my other lenses at home. I love the 50mm.
I decided I want to get some great night video - so I'm gonna bring along the T2i and the 50/1.4. I think I'm also going to bring along the G10 as well so I can have a camera when I don't want to lug around the DSLR.
That was my biggest regret of roo last year - coming home with one pic, taken on my phone.
A Thieve's Parade 2/24 Conspirator 2/26 Kevin Smith 3/11 Keller 3/17 Papadosio 3/18 JJ Grey 3/25 Bela Fleck/Edgar Meyer 3/26 Toubab Krewe 3/27 O'Death 4/11 Budos Band 4/22 EOTO 4/28 Summer Camp 5/6-29 All Good
A Thieve's Parade 2/24 Conspirator 2/26 Kevin Smith 3/11 Keller 3/17 Papadosio 3/18 JJ Grey 3/25 Bela Fleck/Edgar Meyer 3/26 Toubab Krewe 3/27 O'Death 4/11 Budos Band 4/22 EOTO 4/28 Summer Camp 5/6-29 All Good
Post by beaucaldwell on Jun 4, 2010 15:17:17 GMT -5
do they have a special name or letter or w/e for their 'L' equivilent stuff? is that what nikkor lenses are? I'm out of the loop on nikon have been using canon since my ae1-p
Post by rideincircles on Jun 4, 2010 15:33:18 GMT -5
Probably the best bet of getting in a camera is waiting until there is a mass of people at the gate and rushing in when they let them through. It worked well for glowsticks.
I have a Canon SX1 that shoots awesome HD video, but the sound quality suffers badly up close if there is a lot of bass. Most of my Nine Inch Nails footage did not sound that great. From far it has a 20x zoom and 1080p HD. Ive taken some awesome footage with great audio with it. THe Canon SX20 is there new model with more megapixels and I believe 720p 12.1mp.
See my link below if you want to see some of my videos. Im at work and can't post any. Also I am not going to Bonnaroo this year since I am going to Glastonbury. I will be bringing my SX1 also. My Powershot sd790 is starting to get outdated, but records awesome audio, and I ambringing that also for my pocket cam.
Also, my Canon A710 dissapeared out of my backpack in the NIN crowd last year. It was broken and took warped images, no other way to describe it. I would bring a lock for your backpack if your in a crowd.
Why did you buy a fisheye? I've never seen the appeal for that lens unless you're shooting funky landscape photos. I guess it'd be nice to have in centeroo for atmosphere but they are just too distorted for my tastes when shooting a band. The 18-105 will be nice. Also, why did you get the d90 if you don't think Nikons are good for recording HD?
I got a fisheye because I love the effect. From what I've read there are excellent software programs that can take the fisheye effect off and make the ends of the photo linear. But I bought it for the effect. I didn't just get it for shooting bands either. I am huge into traveling and camping. I feel that I will be very pleased with the lens. I am also going to invest in a 12-24mm wide angle lens... but that will have to wait for now.
I got a d90 because I bought it to take pictures not record HD video. D90 for my price range was the best bet. Canon has 18 mp cameras but their sensor is the same tiny sensor it has been for the last couple years. If you want to get a large print then the quality won't be as good. It's like jamming your junk in a infants underpants.
2/5- Papadosio 3/3- MUSE 3/12- John Mayer 3/19- The Werks 3/31- Passion Pit 4/18- Ben Folds 4/20- Against Me! 6/10- Bonnaroo 6/30- Eric Clapton and Roger Daltrey
Post by Funky Munky on Jun 4, 2010 23:30:01 GMT -5
You guys have some nice rigs. I'm quite a bit lower on the food chain from a gear standpoint. I think i will take my Xsi and a couple of lenses. I've also got an Olympus Stylus Tough 8000 that will be perfect for a wet Roo. I guess I'm gonna pass on the video this time, it does seem like a lot of work and time spent not enjoying the show and I haven't found a reasonably priced video camera with great audio. Do you guys have any links to sites that have some lessons on night shooting in a festival type environment?
My plan is to bring my Canon 50d with an innocent looking 28mm lens attached and a slightly less innocent looking 80mm stashed either in my backpack or with a friend. I'm not too afraid of harm coming to it since I already shoot from mosh pits and on the edge of rollerderby tracks. I only hope if it gets trashed I got some good shots along the way.
If the dslr doesn't fly I have a backup camera in an old Konika Minolta Z3 that is held together with rubber bands. The Z3 would actually work out pretty well as it is an early superzoom point and shoot, but at 4mp it is a bit anemic. Although I have found that I can shoot to a micro sd card with an sd adapter and then get the pictures to my phone. Assuming there is adequate verizon coverage I can upload photos soon after taking them, for what that is worth.
As much as I love doing concert photography I think I will mainly be taking candid portraits of interesting people. Has anyone gotten any grief from shooting strangers at Bonnaroo? Mainly when I do this sort of thing it is at protests or the like, where people are already putting themselves into the spotlight.
Post by questionablesanity on Jun 5, 2010 8:17:10 GMT -5
BEau, I can't remember what the type is. It's a Nikkor for sure.
Ridesincircles, I think I have seen some videos of yours on youtube if you use the same screen name. I hope you have plenty of waterproof cases for your cameras if you're going to Glasto. Are you going with HGH?
Againstnunes, I too love the fisheye effect but will probably never buy anything that wide since I don't think I'd use it that often. Who knows. But, I mostly shoot bands and am saving for some speedlights, stands, umbrellas, etc... for a small portrait studio in my home. I know someone in my hometown who uses a D60 and has bookings non stop. Her photos are awful so I know that I could make some extra cash.
Won't an 18mp camera produce clearer large prints than a 12mp camera? That's always been my understanding. But I have never had any prints made. I have literally thousands of frame quality pics just sitting on a hard drive.
They are all cropped sensors in that price range. I'd love to move up to a full frame like the d700.
Chimpmitten. You'll be able to get your 50d in just fine. I think most people at Roo would love to have their picture taken. No one will say anything. I actually thought about bringing a white posterboard and taping it to the graffiti wall (as a background) to do free portraits. I think it'd be interesting plus you'd meet a ton of people. May be a good way to pass the time in the mornings. I'd just hand people a card with my email with a number of their pic. They could email me and I'd email them the photo.
A Thieve's Parade 2/24 Conspirator 2/26 Kevin Smith 3/11 Keller 3/17 Papadosio 3/18 JJ Grey 3/25 Bela Fleck/Edgar Meyer 3/26 Toubab Krewe 3/27 O'Death 4/11 Budos Band 4/22 EOTO 4/28 Summer Camp 5/6-29 All Good
Post by rideincircles on Jun 5, 2010 11:32:57 GMT -5
Sanity, yeah me and HGH are going to Glastonbury. The plan was to meet up at a festival before Glasto, but she was unable to make it to SXSW, and my plans got cancelled after using up my extra vacation for food poisoning. As far as Glasto goes, I have a water proof case for my SX1 and plan on bringing a bunch of plastic bags to store it in just in case. It is really intimidating preparing for Glasto, must have an ultra rainproof tent and decide what you are able to pack and what to buy in Europe. We are also travelling Europe after Glasto for a 19 day trip. Still finishing the last of the booking hopefully today.
Next year I wanna finally get a DSLR, I was hoping the SX1 would be about as good, but it still lacks the color and crispness of a DSLR. I have taken a lot of good shots with it though. It works good with good lights and outside during the day. The HD video is pretty awesome at least when the sound comes out good.
You guys have some nice rigs. I'm quite a bit lower on the food chain from a gear standpoint. I think i will take my Xsi and a couple of lenses. I've also got an Olympus Stylus Tough 8000 that will be perfect for a wet Roo. I guess I'm gonna pass on the video this time, it does seem like a lot of work and time spent not enjoying the show and I haven't found a reasonably priced video camera with great audio. Do you guys have any links to sites that have some lessons on night shooting in a festival type environment?
Sorry that I'm unable to answer your question, but I just picked up a Panasonic ZS7 (sweet little camera), and I'm also interested in hearing any tips for getting good pics while shooting concerts in low light. Or just general Bonnaroo shooting tips. Anyone?
FWIW, last year I brought my D60 in and never had an issue. I carried it in my Tamrac bag (http://www.tamrac.com/5546.htm) that held up AMAZINGLY in the rain on Thursday - it was SOAKED on the outside but it was bone dry inside. Blew my mind.
Post by questionablesanity on Jun 5, 2010 13:29:36 GMT -5
To shoot in low light, you need a good camera that can take pics with a high ISO (3200) with minimal noise. You'll also need a lens that has a wide aperture (f1.4) and it has to be a fast exposure. Simple point and shoots are not going to do this. They will be noisy and the pics will be blurry due to the time the aperture must stay open to let enough light in to make a proper exposure. Some of the super zooms are getting close but they're still not there yet.
My first shot at concert photography was with a D60 ($500) and a 50mm f1.4 ($400). It worked but was still noisy. I upgraded to the D300 but it's still a little noisy when shooting in dark clubs. I sometimes use a 24-70 f2.8 but it doesn't do the job in small clubs unless the lights are really good and I'm shooting in RAW.
After I buy a wide angle low light zoom, I'm upgrading even further to the D700 so I can shoot cleanly at ISO 6400. Then you're getting a little closer to magazine quality photos.
Carsoni4, try using the manual setting on your ZS7. I know the aperture doesn't open real wide but it may work. Alternatively, you can try the fireworks setting. I haven't tried this yet with my ZS5 but it may work. Just try some of the different scene settings. If none of that works, look for patterns in the lighting. When the lights on stage are bright, shoot your pic. Hope this helps.
A Thieve's Parade 2/24 Conspirator 2/26 Kevin Smith 3/11 Keller 3/17 Papadosio 3/18 JJ Grey 3/25 Bela Fleck/Edgar Meyer 3/26 Toubab Krewe 3/27 O'Death 4/11 Budos Band 4/22 EOTO 4/28 Summer Camp 5/6-29 All Good
Won't an 18mp camera produce clearer large prints than a 12mp camera? That's always been my understanding. But I have never had any prints made. I have literally thousands of frame quality pics just sitting on a hard drive.
The sensors for Nikon and Canon are different. Canon has a small sensor, but 18 mp. To fit all the pixels on a small sensor ruins the quality of the shot if you blow it up to a large print. If you have the high end lenses, you know the best ones... which means the most expensive you won't really have a problem... but if you buy off brand or cheap lenses then it is a problem. The Canon 18-55mm that comes in the bundle with the camera is not a great lens, so if you want a large print, then you have to invest in the best ones.
I can find a link that explains it all if you want. I was reading up about it the other day. Consumers look at it and say "woah, 18 mp!" But it isn't going to be great unless they invest in pro lenses.
Edit: Also, I think the fisheye lens would give a great effect on shooting bands (if you are up close). A warped fisheye shot of the Black Keys would be great.
2/5- Papadosio 3/3- MUSE 3/12- John Mayer 3/19- The Werks 3/31- Passion Pit 4/18- Ben Folds 4/20- Against Me! 6/10- Bonnaroo 6/30- Eric Clapton and Roger Daltrey
To shoot in low light, you need a good camera that can take pics with a high ISO (3200) with minimal noise. You'll also need a lens that has a wide aperture (f1.4) and it has to be a fast exposure. Simple point and shoots are not going to do this. They will be noisy and the pics will be blurry due to the time the aperture must stay open to let enough light in to make a proper exposure. Some of the super zooms are getting close but they're still not there yet.
My first shot at concert photography was with a D60 ($500) and a 50mm f1.4 ($400). It worked but was still noisy. I upgraded to the D300 but it's still a little noisy when shooting in dark clubs. I sometimes use a 24-70 f2.8 but it doesn't do the job in small clubs unless the lights are really good and I'm shooting in RAW.
After I buy a wide angle low light zoom, I'm upgrading even further to the D700 so I can shoot cleanly at ISO 6400. Then you're getting a little closer to magazine quality photos.
Carsoni4, try using the manual setting on your ZS7. I know the aperture doesn't open real wide but it may work. Alternatively, you can try the fireworks setting. I haven't tried this yet with my ZS5 but it may work. Just try some of the different scene settings. If none of that works, look for patterns in the lighting. When the lights on stage are bright, shoot your pic. Hope this helps.
Thanks for the tips man! I have been fooling around with the manual settings and have been getting some cool results. Forgive me for my lack of knowledge, but what should I be aiming for? To get a "wide" aperature, would I go with a lower or higher f-stop number? And do I want the quickest shutter speed possible? Is there a disadvantage to a quick shutter speed? And I want to shoot all this with a high ISO correct? How do these numbers all relate?
Might be a little too many questions for one post, so don't worry about answering all of them. I probably should have taken a photography course before stepping onto the farm this year. But I think I'll do a nice baptism by fire, and just start snappin' at shows early Thursday! There's only one way to learn, right?
Thanks for the tips man! I have been fooling around with the manual settings and have been getting some cool results. Forgive me for my lack of knowledge, but what should I be aiming for? To get a "wide" aperature, would I go with a lower or higher f-stop number? And do I want the quickest shutter speed possible? Is there a disadvantage to a quick shutter speed? And I want to shoot all this with a high ISO correct? How do these numbers all relate?
Might be a little too many questions for one post, so don't worry about answering all of them. I probably should have taken a photography course before stepping onto the farm this year. But I think I'll do a nice baptism by fire, and just start snappin' at shows early Thursday! There's only one way to learn, right?
Not to many questions...I just recently bought a ZS5 for Roo. This site really helps because it shows you actual pictures so you can see the difference for yourself. Enjoy!
Post by questionablesanity on Jun 6, 2010 9:44:31 GMT -5
gabfrab, you can probably get your flip in. I think they don't want anyone taking video, but people do it all the time.
carson, the smaller the number (fstop), the wider your aperture is open. This will allow more light to reach the sensor. The wider your aperture, the more depth of field you will get. That's how photographers blur backgrounds and foregrounds.
You want the quickest shutter speed possible to reduce motion blur. Disadvantages to fast shutter speed is that you may not get enough light to the sensor=pics turn out dark. This is something that you have to find a happy medium on.
High ISO is what you want to use when shooting in low light because it amplifies the light signal.
It all seems really confusing at first. Once you start shooting, it starts to make sense. Just go out, set your aperture as wide as it will go (smallest number possible), then set your ISO as high as possible. Then shoot some pics and play with your shutter speed. If your first pic comes out dark, make a longer exposure (lets more light in). If it comes out light, make a faster exposure (cuts some light out).
The only reason I say to use the highest ISO is because I doubt the aperture opens very wide. So you need a little boost, but this can cause your pics to be grainy. You just have to play around with it. That's the fun of concert photography for me. I love the challenge.
When I shoot in my local small club that has little to no lighting. I'll use f1.4, ISO anywhere from 2000-3200, shutter speed of 1/60 sec. Granted this is all on a $2k camera with pro lenses.
I hope you get it figured out. I learned by shooting. Then I read a couple of articles online and I follow Todd Owyoung who is a badass concert photographer. Check out his site. Ishootshows.com He gives all kinds of tips and you start to see the differences in his pics vs. what lenses he uses. I can always tell before reading the article what Fstop he shot the pics at. Everything you need to know is online. Don't waste your money on a class. Youtube has tons of tutorials.
A Thieve's Parade 2/24 Conspirator 2/26 Kevin Smith 3/11 Keller 3/17 Papadosio 3/18 JJ Grey 3/25 Bela Fleck/Edgar Meyer 3/26 Toubab Krewe 3/27 O'Death 4/11 Budos Band 4/22 EOTO 4/28 Summer Camp 5/6-29 All Good
Won't an 18mp camera produce clearer large prints than a 12mp camera? That's always been my understanding. But I have never had any prints made. I have literally thousands of frame quality pics just sitting on a hard drive.
The sensors for Nikon and Canon are different. Canon has a small sensor, but 18 mp. To fit all the pixels on a small sensor ruins the quality of the shot if you blow it up to a large print. If you have the high end lenses, you know the best ones... which means the most expensive you won't really have a problem... but if you buy off brand or cheap lenses then it is a problem. The Canon 18-55mm that comes in the bundle with the camera is not a great lens, so if you want a large print, then you have to invest in the best ones.
I can find a link that explains it all if you want. I was reading up about it the other day. Consumers look at it and say "woah, 18 mp!" But it isn't going to be great unless they invest in pro lenses.
Edit: Also, I think the fisheye lens would give a great effect on shooting bands (if you are up close). A warped fisheye shot of the Black Keys would be great.
I'd love to see that article if you can find it. A pro lens won't change the matrix of the image. It'll produce a sharper image, but not by much. I have a $1400 nikon lens and it looks marginally better than the Tokina at less than half the price. Sure, the Nikon is made better and will last longer but it took me forever to save for it. I've always been a little jealous of Wolfaroo's Canon because it takes such clear, crisp photos. Often times, better than my D300.
I've seen some pics from a local photographer who is the gf of a local bandmember. We both shot at their show. She had a fisheye and her pics looked awful. She was front row. I just don't like the effect in concert photography. There's just too much distortion. What mm does it shoot at? Personally, I don't like anything wider than 14mm in concert photography. It'll elongate limbs too much and just looks odd. Like you said, it's perfect for landscape or maybe a close up band portrait. Look at the Beastie Boys, they love the fisheye lens effect. Another cool fisheye pic would be if you were in the front row, held the camera as high as possible pointing back at the crowd at a packed show. That would be bad ass.
Are you going to the brunch? I'd like to try that fisheye out. I've never used one. Might be cool for a group inforoo pic at the brunch.
A Thieve's Parade 2/24 Conspirator 2/26 Kevin Smith 3/11 Keller 3/17 Papadosio 3/18 JJ Grey 3/25 Bela Fleck/Edgar Meyer 3/26 Toubab Krewe 3/27 O'Death 4/11 Budos Band 4/22 EOTO 4/28 Summer Camp 5/6-29 All Good
I'd love to see that article if you can find it. A pro lens won't change the matrix of the image. It'll produce a sharper image, but not by much. I have a $1400 nikon lens and it looks marginally better than the Tokina at less than half the price. Sure, the Nikon is made better and will last longer but it took me forever to save for it. I've always been a little jealous of Wolfaroo's Canon because it takes such clear, crisp photos. Often times, better than my D300.
I've seen some pics from a local photographer who is the gf of a local bandmember. We both shot at their show. She had a fisheye and her pics looked awful. She was front row. I just don't like the effect in concert photography. There's just too much distortion. What mm does it shoot at? Personally, I don't like anything wider than 14mm in concert photography. It'll elongate limbs too much and just looks odd. Like you said, it's perfect for landscape or maybe a close up band portrait. Look at the Beastie Boys, they love the fisheye lens effect. Another cool fisheye pic would be if you were in the front row, held the camera as high as possible pointing back at the crowd at a packed show. That would be bad ass.
Are you going to the brunch? I'd like to try that fisheye out. I've never used one. Might be cool for a group inforoo pic at the brunch.
It is the first thing they compare after the introduction... so don't scroll too far down.
It's a 10.5mm. The 16mm was too much money. I was considering getting the Tokina 10-17mm zoom fisheye, but decided against it after reading reviews and comparisons of the two lenses. I'm anxious to try it out. Maybe it won't be the greatest for concerts, but that isn't the only thing I want to take pictures of. It's worth a shot though. I think that would be sweet to take a picture of the crowd. Thanks for suggesting that.
No, I have never gone to any inforoo stuff. But if you see a redheaded guy with a beard and a nikon d90 taking pictures, come on over and ask to see it. Hopefully I can get some funky shots to share with you.
2/5- Papadosio 3/3- MUSE 3/12- John Mayer 3/19- The Werks 3/31- Passion Pit 4/18- Ben Folds 4/20- Against Me! 6/10- Bonnaroo 6/30- Eric Clapton and Roger Daltrey
To shoot in low light, you need a good camera that can take pics with a high ISO (3200) with minimal noise. You'll also need a lens that has a wide aperture (f1.4) and it has to be a fast exposure. Simple point and shoots are not going to do this. They will be noisy and the pics will be blurry due to the time the aperture must stay open to let enough light in to make a proper exposure. Some of the super zooms are getting close but they're still not there yet.
My first shot at concert photography was with a D60 ($500) and a 50mm f1.4 ($400). It worked but was still noisy. I upgraded to the D300 but it's still a little noisy when shooting in dark clubs. I sometimes use a 24-70 f2.8 but it doesn't do the job in small clubs unless the lights are really good and I'm shooting in RAW.
After I buy a wide angle low light zoom, I'm upgrading even further to the D700 so I can shoot cleanly at ISO 6400. Then you're getting a little closer to magazine quality photos.
Carsoni4, try using the manual setting on your ZS7. I know the aperture doesn't open real wide but it may work. Alternatively, you can try the fireworks setting. I haven't tried this yet with my ZS5 but it may work. Just try some of the different scene settings. If none of that works, look for patterns in the lighting. When the lights on stage are bright, shoot your pic. Hope this helps.
Looks like I'm a bit under geared for great quality but that advice helps a ton and will get me heading in the right direction. Thanks.
I'm a bit confused about the video camera rules. Last year, video cameras were on the banned list on the web site and on the sign at the entrance to Centeroo. This year they don't seem to be on the list.
Post by AgainstNunes! on Jun 7, 2010 10:48:38 GMT -5
questionablesanity... what kind of flash do you have?
And why wouldn't you always shoot in RAW and then later convert it to a JPEG with software? I don't know about your camera, but I researched before I bought mine and it said it had a soft JPEG output. So RAW it is for me.
2/5- Papadosio 3/3- MUSE 3/12- John Mayer 3/19- The Werks 3/31- Passion Pit 4/18- Ben Folds 4/20- Against Me! 6/10- Bonnaroo 6/30- Eric Clapton and Roger Daltrey
Post by questionablesanity on Jun 7, 2010 10:57:07 GMT -5
I bought the Nikon SB 600, but I'm saving for two SB 900s. The 600 doesn't quite have the output that I was hoping for. Plus I'm going to use the speedlights instead of standard lighting for portability. You can remote trigger the flashes with the camera flash. I plan on using the SB 600 as the master controller. You should get one, they're fun to play with.
I don't always shoot in RAW. I don't have photoshop yet, so it's not real advantageous. I have a setting that will record a RAW and JPEG of the same image and the JPEGS look better without having to fiddle with settings. RAW files are huge too. I'll probably shoot everything in RAW at Roo since I have a couple of 4gb CF cards.
I didn't know that you could convert them to JPEGs in post. Sounds like too much work to me. I'm pretty lazy when it comes to editing photos because it's so time consuming. When I shoot a band, I may end up with 400 pics because I love to use burst mode. I have a grip for my D300 that allows it to shoot 8 frames/second. Going through that many pics is a pita anyways.
A Thieve's Parade 2/24 Conspirator 2/26 Kevin Smith 3/11 Keller 3/17 Papadosio 3/18 JJ Grey 3/25 Bela Fleck/Edgar Meyer 3/26 Toubab Krewe 3/27 O'Death 4/11 Budos Band 4/22 EOTO 4/28 Summer Camp 5/6-29 All Good