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garageland (before he deleted his acct) In all fairness, almost 6 hours is kinda daunting. That said, there isn't one throw away track on here.
I didn't put this on my top albums of the past decade; but in retrospect it woulda been unfair. All these artists played the songs in their voices, and it just shows the incredible songwriting ability of the dead, which I think will be their biggest legacy. My 7 year olds favorite song is friend of the devil, for example. There's gonna be dead heads who don't know shiz about the jam bands or the scene or whatever. It was an awesome project and executed perfectly.
Edit: like, it makes total sense now, but was anyone in the 90's expecting Stephen malkmus putting down one of the best Chinacat>rider
Edit2:. I'm not even a big fan of Lucius, but their synth pop version of Uncle John's band is great. Maybe not the best song here, but probably the best reimagining, and what, to me, makes this collection special.
Sorry for rambling. I'm at the age where afternoon beers are devastating come late dinner time.
random demoscene channel.the scene's music is extremely hit or miss but creating this stuff with 64kb of code 25 years has influenced lots of people with an a/v focus like arca/machine drum/ meuko!meuko!. Really appreciate the approach, its like mbv's loveless was a/v techno with different people each having a chord and pedal to create a music video.
Post by 10goldbees on Mar 16, 2020 15:11:20 GMT -5
Matt LaJoie - Everlasting Spring
This is keeping me calm. Definitely for fans of William Tyler, Matt Valentine, Daniel Bachman, Ryley Walker, Lake Mary, et. al.
From the Pitchfork review:
The music feels like an afternoon by a slow-moving creek, surface reflections peacefully changing with the light. Across four one-take improvisations on 10-string acoustic guitar run through a delay loop pedal and reverb, LaJoie’s extended pieces ripple and cascade, grow intricate, and thin out again. [...]
There is a lightness of step behind LaJoie’s loops. It’s celestial without being sleepy, and rarely stays still. During the 13-and-half-minute “Showers Over Birch Point,” LaJoie plays in several modes at once to create the sensation of multiple currents. Occasional muted notes on the bass strings make slow ambient bursts of rhythm, mid-range harmonic dots follow at their own pace, and LaJoie solos gently on the highest strings. All accumulate to keep the piece in motion. The 16-minute album-closing “River’s Breadth” is slightly more minimalist, building to a quiet conclusion, in which LaJoie juggles two lead lines, one fast, one slow, each gorgeous.
Considering you've found the need to respond to my threads as if you are threatened by me I offer you some peace my confused counterpart. May you find peace in your restless soul.
snowman
Bleary-Eyed Bonnawook Goblin Faced Love God