Yay y Nay -- Dark Side of the Rainbow

I think it would be a sick idea. With big screen and sweet sound system! I mean if we cant get Pink Floyd then why not? Tell me what you think.

Yeah, sure, sounds great for the cinema tent... however, I will never be in the cinema tent at Bonnaroo... not even sure it actually really exists (never seen it, though never actually tried to find it either)

I dont recall seeing it either. It was just something i thought about when im LOSTTT INNN SPAAACCCEE. and thought it would be cool. I should have said during the day for the AC/Seats etc. But i would probably venture in there around 4 a.m.

Actually, if I did stumble in there... surround sound Floyd would be a nice place to lose myself for a while... it would be hard to leave... for it to work, they would have to make it LOUD ... be better if they scheduled it when nothing else was going on (musically...) 4AM would totally work for that... now that I think of it, I wouldn't mind Live at Pompeii, actually, I'd LOVE Live at Pompeii... mmmmmmmmmmmmmm Echoes as the sun comes up

lol, for sure

They could even show Yellow Submarine!

its a sign, I'm waiting for my call from Superfly's management to say I'm hired as the "third eye" for new hip Bonnaroo ideas.

bump

great idea for thursday late night

^THE DEFINITIVE LIST^

001) The first indicator that the setup is correct: The transition from Speak to Me to Breathe syncs with the fade-in of producer Mervyn LeRoy.
Note: In the prologue, the word "Time" (one of the songs on the CD) is written with a capital letter even though it isn't at the start of the sentence. Also you will find the word "Heart" capitalized in the middle of a sentence -- a sound particular to The Dark Side of the Moon.

002) "Leave, but don't leave me ..." Auntie Em appears to say "... Leave ..." to Dorothy, who then turns to leave, looking a bit down in the mouth.

003) "... Look around ..." Dorothy looks around.

004) "... Smiles you'll give and tears you'll cry ..." The two farmhands holding the cart are smiling and the other farmhand below is crying. This one is not exactly on time with the "smiles you'll give" part, but because of the good timing with "tears you'll cry", it makes it worth the mention.

005) "... All you touch ..." Dorothy touches the farmhand holding a bucket on his arm.

006) "... When at last the work is done (drumstrike)..." the drumbeat syncs with the farmhand hitting his finger with the hammer, and immediately after the word "done" -- he is done for the time being, with his work.

007) (Y) Right after "... Dig that hole ..." the farm hand points to the ground.

008) (HH) "Don't sit down ..." Dorothy not only doesn't sit down, she steps upon the bench next to the pigpen.

009) "... Balanced on the biggest wave ..." Dorothy balances herself on the rail of the pig pen.

010) (B) Song shifts from Breathe to On the Run as Dorothy falls off the fence.
Note: (C) At the switch to On The Run, the beginning music matches the apparent mood change of the scene and emotions of the other characters, as they are concerned with Dorothy's well being.

011) Auntie Em shows up and begins talking as the woman's voice on DSOTM chatters away.

012) Dorothy's gaze travels across from right to left as the sound effect in On The Run moves in the same direction audibly.

013) Toto wags his tail in time to the clicking sound effect.

014) (EE) Toto's ears perk up at the sound of the explosion at the end of On The Run.

015) (X) The rumbling at the end of On The Run lends itself nicely as the sound of distant thunder, and enhances the feeling of seeing shafts of sunlight piercing the clouds.

016) The chimes in Time begin at the appearance of Almira Gulch, on her bicycle, and the chimes stop when she dismounts. ["I've got a bike. You can ride it if you like. It's got a basket ..." (Syd Barrett /Pink Floyd from Bike)].

017) (V) Uncle Henry is holding a paintbrush, and as he raises and drops it, it's as if he is ringing a bell.

018) At the first bass chord of Time the scene changes to inside Auntie Em's house.

019) (B) Dorothy and the rest of the cast appear to move and react to the rhythm and mood of the music.

020) Almira Gulch points her finger on the bass chord.

021) "Kicking around on a piece of ground in your home town", This is said just a little before Toto jumps out of the basket and onto the ground where he kicks off to go back to Dorothy in his hometown.

022) "... Waiting for someone or something to show you the way ..." Dorothy waits for Toto, who pops his head in her bedroom window.

023) "And you are young and life is long ..." a reference to Dorothy's youth?

024) "Ten years have got behind you ..." You see Dorothy's back.

025) "No one told you when to run ..." Dorothy is running away from home.

026) Guitar solo in Time begins on scene change.

027) During the guitar solo of Time, the words "Past, Present and Future" are visible on the sign advertising Professor Marvel fame.

028) (J)+(M) "... to come up behind you again ..." as Professor Marvel comes up behind Dorothy.

029) "... But you're older ..." referring to Professor Marvel's age?

030) "... Or half a page of scribbled lines ..." referring to the photo that Professor Marvel sneaks out of Dorothy's basket. A picture is worth a thousand words, and it's the size of half a page.

031) "Hanging on in quiet desperation ..." Describes the quiet and desperate way in which Dorothy hangs upon the words of Professor Marvel.

*SPECIAL RHYTHM SYNC: (CC) On the Definitive Version DVD (2.0, 5.1. etc) beginning at 13:53 to 14:00 is a segment right after the words "You thought I'd something more to say ..." a double strike to the keys accentuates the opening of Dorothy's mouth to speak, followed by keyboard tickling ala Richard Wright, and with each fingered note, Dorothy moves her head around as she tries to sneak a peek at what's in the crystal ball. It sounds silly but the more you watch it, the better it gets! Try it.

NOTE: Song changes to The Great Gig In the Sky as Dorothy grabs her bag. This begins what is, in my opinion, the most impressive segment of the whole sync.

032) (H) The sound of a slide guitar, similar to that of a warning siren, is heard as we see an approaching tornado.

033) (voice says) "And I am not frightened of dying ..." as the tornado heads towards a house.

034) The drums kick in as a tree is uprooted by force of the wind.

035) Clare Torry's wailing, keeps with the mood and intensity of the tornado scene, and seems to display the emotions of Dorothy. Several other nifty rhythm syncs are seen during this piece, such as the door flying off its hinges, a piece of furniture or appliance falling over on the porch, Dorothy stomping on the storm shelter door, etc.

036) After Dorothy gets bonked on the head by the window, Clare Torry's wailing eases and Dorothy begins dreaming.

NOTE: The song playing during the entire tornado scene and while the house is up in the air is The Great Gig in the Sky (TGGITS).

037) The "cha-ching !" of Money is heard as Dorothy steps out into colourful Munchkin Land. Money would be associated with colour and better living, as is apparent from Dorothy's reaction.

038) "... get back ..." The Munchkins get back in the bushes.

039) (A) "Don't give me that do-goody-good bullshit." as Glinda, the (do-goody) good witch comes a-floating down, in her big, green, and then pink bubble.

040) During the guitar solo of Money, the Munchkins move to the music; when the guitar is played in a "plucky" manner, they take more halting, hunched-over, and cautious steps. However, once the Munchkin with the tall, gray hat leaps forward, the guitar solo goes wild, and all the Munchkins start dancing away. The soldiers also appear to march in time with the music.

041) (N) "Share it, fairly ..." As a Munchkin shares some flowers with Dorothy.

042) During the beginning of Us and Them the organ plays music similar to what might be heard in a funeral parlour, as the Munchkin Coroner unrolls the Certificate of Death.

043) (O) At the beginning of Us and Them, various voices may be heard, and at times it appears that the Munchkin officials are the ones who are doing the talking.

044) The ballerinas from the Lullaby League enter to "Us ... Us .... Us ...".

045) (W) The fellows from the Lollypop Guild kick and jerk a little dance to the rhythm of the music.

046) (S) "Forward! he cried ..." The Munchkins officials thrust out their hands and all seem to shout "Forward!" to Dorothy.

047) (GG) "... and the front ranks died ..." A rank (row) of soldiers is seen falling back to let Dot through. Another word (with a little artistic license) "for moving" aside or "falling back" would be "die".

048) (G) "... moved from side to side ..." as the Munchkins move to the left and right at the appearance of the Wicked Witch.

049) "Black and blue ..." On "black" we see the Wicked Witch wearing black , and as "blue" echoes, we see Dorothy wearing blue.

050) "And who knows which is which ..." - Which is Witch?

051) "Up and Down ..." On "up", the Wicked Witch of the West is holding her broomstick upright, and on "down" she lowers it.

052) (T) "... down, down down ...", the Wicked Witch of the West is bending down to retrieve the ruby slippers from her dead sister's feet.

053) "And in the end it's only 'round and 'round..." As Glinda points to Dorothy's feet which are now turning 'round.

054) (I) "... and 'round ..." as there is yet another shot of the ruby slippers and Dorothy turning her ankles round -- very strange.

055) (C) "Haven't you heard? It's a battle of words ..." Glinda appears to whisper this line to Dorothy, and then returns to her "battle of words" with the Wicked Witch.

056) (J) "Listen son, said the man with the gun ..." Her hand in the shape of a gun, The Wicked Witch points at Dorothy.

057) "... and OUT ... " Glinda heads out of Munchkinland in her bubble.

058) (R) "With ... Without" Dorothy begins walking with Toto in her arms, and on "Without", she puts him down.

059) (J) "Out of the way, it's a busy day! I've got things on my mind" as Dorothy passes through the Munchkins, she indeed has a busy day, and lots on her mind as she's off to see the Wizard.

060) Scene changes at the same time that Us and Them changes to Any Colour You Like

061) "The lunatic is on the grass" The Scarecrow isn't on the grass but he's made of grass and he's certainly dancing around like a lunatic.

062) "You raise the blade ..." A Toucan, with a bill resembling a blade, raises it in the air.

063) "... thunder in your ear ..." as the Appletrees are screaming at Dorothy.

064) (N) "... all that you touch ..." Once again Dorothy is touching a man's arm (see #5).

065) (N) "... all that you see ..." as Dorothy and Scarecrow take notice of an oil can -- which is something that the Tin Woodsman would like a taste of in order to feel better.

066) Dorothy listens for a heartbeat (or lack thereof) in the Tin Woodsman's chest, and we hear that very sound in DSOTM.
Note: The CD returns to the beginning, again with the heartbeat, as the Tin Woodsman is singing If I Only Had a Heart.

Nothing is quite as good as the first play-through of the CD but the second play-through and partial third are still rather fun. Results as this point will vary due to return speeds on your particular CD players -- unless you have the Definitive version; a pre-recorded sync of DSOTR on DVD.



Just the first play through