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Post by fromtoronto on Apr 28, 2015 8:18:10 GMT -5
Iconic Bonnaroo Joins Live Nation Entertainment's World Leading Festival Business April 28, 2015: 08:30 AM ET
MANCHESTER, Tenn., and LOS ANGELES, April 28, 2015 /PRNewswire/ -- Live Nation Entertainment (NYSE: LYV) and Bonnaroo's founding partners, Superfly and AC Entertainment, announced today the completion of a new partnership, through which Live Nation assumes a controlling interest in the Bonnaroo Music and Arts Festival.
"The addition of Bonnaroo builds on Live Nation Entertainment's world leading festival portfolio of over 60 marquee festivals such as: Austin City Limits Music Festival, Lollapalooza, Reading, Leeds, T in the Park, Electric Daisy Carnival, Rock Werchter, and Watershed Music Festival to name a few," said Michael Rapino, Live Nation CEO and president. "We continue to expand the industry's most unparalleled and scalable festival platform all while driving strong revenue and growth for Live Nation on a global basis. Bonnaroo is another crown jewel in this festival channel strategy, one that appeals to both fans and artists in uniqueness and experience."
"We are strengthening our commitment to create the best possible experience at Bonnaroo," said Rick Farman, co-founder, Superfly. "Through this partnership with Live Nation, we're even more empowered to enhance the festival while preserving the integrity of the event that we've thoughtfully built over the past 14 years."
"Partnering with Live Nation is a milestone for Bonnaroo. It opens up tremendous opportunities for us to continue to evolve the Bonnaroo experience in an exciting, powerful way," said Ashley Capps, founder, AC Entertainment.
Additionally, Live Nation now also owns a share of the Bonnaroo property, Great Stage Park, also known as "the Farm." With Live Nation on board, significant investment in the site and enhancements to the festival experience are planned. Superfly and AC Entertainment will continue to plan and execute the day-to-day operations of the festival and signature Bonnaroo initiatives, such as sustainability efforts and involvement with the Manchester community. Bonnaroo's non-profit arm, the Bonnaroo Works Fund, will continue to be a priority.
Founded in 2002 in Manchester, Tennessee, Bonnaroo is globally recognized as an iconic cultural landmark of the festival scene, heralded for its peaceful vibes, flawless operations and once-in-a-lifetime musical collaborations.
Live Nation Entertainment Live Nation Entertainment (NYSE: LYV) is the world's leading live entertainment company comprised of global market leaders: Ticketmaster, Live Nation Concerts, Live Nation Media & Sponsorship and Artist Nation Management. For additional information, visit www.livenationentertainment.com.
Bonnaroo Held on a sprawling 700 acre farm in Manchester, Tennessee, Bonnaroo Music and Arts Festival is a four-day immersive experience, celebrating the best in live music entertainment from timeless legends to emerging artists in rock, hip hop, electronic, jazz and Americana. Since 2002, Bonnaroo has been a staple of the American music festival scene, bringing together hundreds of thousands of attendees in a one of a kind camping environment, to experience more than 100 artists perform across multiple stages. In addition to live music, Bonnaroo features a variety of curated experiences including a 24 hour cinema, comedy club, beer festival, theater performers, classic arcade and more. Co-founded by Superfly and AC Entertainment, Bonnaroo is a once in a lifetime experience that takes place every June. Learn more at www.bonnaroo.com, bonnaroo and on Facebook.
Superfly Superfly is passionately driven by creating and curating culture through experiences and immersive live events and creating award-winning campaigns for some of the most recognized brands in the world. Founded in 1996, Superfly's expertise is building hand crafted cultural experiences with a distinct identity, such as the iconic Bonnaroo Music & Arts Festival and Outside Lands that are equally desired by brands and destinations for fans. In 2009, Superfly extended its creative offering to strategically help brands establish and raise their profile and navigate the cultural marketing landscape through programming, design, digital, content, social and experiential platforms. Superfly is headquartered in New York, with offices in Chicago and San Francisco. Learn more at superf.ly/, and follow Twitter @superfly, Facebook www.facebook.com/superfly and Instagram @superflypresents.
AC Entertainment One of the top independent promoters in the world, AC Entertainment is internationally recognized as co-founders / producers of the renowned Bonnaroo Music and Arts Festival®, cited as "One of the 50 Moments that Changed the History of Rock and Roll" by Rolling Stone magazine. AC also created and produces the widely acclaimed Big Ears Festival (Knoxville, TN) and produces Louisville's longstanding signature Forecastle Festival. In 2015, ACE co-founded and launched the WayHome Music & Arts Festival in Ontario, Canada, the Sloss Music & Arts Festival in Birmingham, AL, and AFROPUNK in Atlanta, GA. AC Entertainments also presents more than 1,000 concerts annually, including exclusive booking of top-ranking Southeastern venues (Schermerhorn Symphony Center, Marathon Music Works and Exit/In in Nashville, Tenn.; The Orange Peel in Asheville, NC; Track 29 in Chattanooga, Tenn.; Minglewood Hall and Live at the Garden in Memphis, Tenn.; and South Carolina's Music Farm clubs in Charleston and Columbia). The company has offices in Knoxville and Nashville and manages two of Knoxville, Tenn.'s landmark venues: the Historic Tennessee Theatre and Bijou Theatre. Client services include event and venue consulting, production, and management as well as booking and marketing.
To view the original version on PR Newswire, visit:http://www.prnewswire.com/news-releases/iconic-bonnaroo-joins-live-nation-entertainments-world-leading-festival-business-300073144.html
Welcome back Bonz, but I do not find it strange that your presence being requested in the Orgy thread and then you showing up, like it was the quacking Bonzai Bat Signal.
Post by FuzzyWarbles on Apr 28, 2015 8:57:51 GMT -5
I like that the article mentions upgrades to the site. I think the partnership will help with the lineup but I hope Roo doesn't lose some of the things that makes it unique like the quality direction they have been taking in the lower top and middle card electronic booking, the showcasing of world music, and the Sunday bluegrass tent.
Post by itrainmonkeys on Apr 28, 2015 9:01:36 GMT -5
Live Nation wanted to buy it but was like "Wait....why are bands starting so early? And why are you booking them for so long? Change that up, right now".
As a long time Lollapalooza goer, I was very concerned with where Lollapalooza was heading over the last few years. Line-ups were dragging and the environment was starting to suck. This year is the first controlling year of Live Nation at Lolla- it yielded Metallica and Macca! We will see if the vibe improves now.
So I would say Live Nation is a good thing for a music fest. Live Nation is powerful and controls a lot of interests in the music industry- especially from a live platform. I think this move is one for sustainability for Roo. Deeper pockets to bring in acts, more permanent upgrades to the farm, and probably more commercialized (can be taken as a bad thing) in the end. But for a grown-up, this is probably good news for me.
May Tycho May Phoenix June Rooo July MMJ and Margo Price August Queen with Adam Lambert August Roger Waters (Bucket list #1) August Spoon and Portugal the man Sept Depeche Mode Sept Pilgrimage Fest
Something I like about most festivals is their independence from corporations. I wonder what the tents will be named next year and what other changes will happen in the next few years =(((
Something I like about most festivals is their independence from corporations. I wonder what the tents will be named next year and what other changes will happen in the next few years =(((
That's a good point I hadn't considered yet. Not looking forward to that.
Post by Delicious Meatball Sub on Apr 28, 2015 9:30:02 GMT -5
Could be a good thing. The Bonnaroo site could absolutely use some capital investment. Coachella is owned by an (even more) evil corporate conglomerate, and they manage.
Well there is your explanation for everything: price hike, weak lineup, abbreviated schedule. They were trying to attract a corporate buyer and it all came down to revenue per share, return on investment etc. I am not saying it wasn't for profit before, but when you get into these kind of corporate deals, these kind of moves are common to affect share price, etc.
I am not against anybody making money, and obviously this was always a business, but the problem is that when you squeeze or cut, you can only do it once. You can only cut the set times so much, you can only make the lineup so weak, you can only raise tickets so high. But until you hit that tipping point, expect a SQUEEZE.
If you want to see what a festival is like when ran by bean counters, check out Woodstock 99. That festival was obviously planned by MBAs in a Manhattan Office based solely on dollars and "sense" who had never been to a festival before.
Maybe I am over-reacting, but even if I am only partially correct, it is still a bad trend and this is bad news for everyone.
Who makes guacamole happen!?!? Does a tabloid like the University of Oklahoma student paper make guacamole happen or do ME AND YOU make it exist? Just cause they write about it doesn't make guacamole exist - ME AND YOU MAKE IT EXIST!
Whether it's good or bad, I'll still be rocking some "FUCK LIVENATION" swag this year. You can be damn sure we will see another fee (or six) added onto our tickets...
Post by livesbydryshampoo on Apr 28, 2015 9:39:08 GMT -5
Yeah I'm gonna hope for the best and not freak out yet. There is still time for announcements of improvements to the Farm and schedule even this year, and I'm excited overall with what we've got already.
This sentence stands out to me: "Superfly and AC Entertainment will continue to plan and execute the day-to-day operations of the festival and signature Bonnaroo initiatives, such as sustainability efforts and involvement with the Manchester community. Bonnaroo's non-profit arm, the Bonnaroo Works Fund, will continue to be a priority."
To me, this means our beloved festival now has deeper pockets to dig in in order to make the improvements we've been asking for (screens at tents, anyone?). I'm not going to get all worried about it unless some major negative changes happen.
Yes, I was confused why they would hike tickets so high this year all at once, rather than gradually. But now I think they ARE increasing them gradually. I bet they are expecting a much larger correction than they have let on. I would except a similar increase next year, perhaps the next several years, until they feel they've reached a market correction. Then it will go back to being gradual for a while.
This will likely occur regardless of the lineup, regardless of improvements, regardless of anything - unless there is a massive drop off in attendance. But they know exactly what the per cap is on each ticket holder - how much they spend on merch, concessions, etc. and can factor a massive drop off.
Look at movie theaters for comparison. Movie attendance has been dropping by 10% or more a year but revenue per customer goes up almost every year. Everyone hates going to the movies, ticket costs, concessions, etc. but they still go. But in fact, you have many more options for viewing movies. You only have one Bonnaroo, with the camping, 24 hour experience. I think they will have a lot more freedom to increase ticket prices and SQUEEEEZE.
It will only matter to those of us who have been going for a while. Every year a new crop of college kids comes along with no frame of reference, so they can get by with only a temporary backlash.
Who makes guacamole happen!?!? Does a tabloid like the University of Oklahoma student paper make guacamole happen or do ME AND YOU make it exist? Just cause they write about it doesn't make guacamole exist - ME AND YOU MAKE IT EXIST!
I might be focusing on the wrong thing here but... Does this mean we're gonna get Aramarked? I would be pretty crushed if we started to lose some of the food vendors so that Aramark could microwave us some pizza and nachos
Whether it's good or bad, I'll still be rocking some "FUCK LIVENATION" swag this year. You can be damn sure we will see another fee (or six) added onto our tickets...
For what it's worth, Lollapalooza remained fee-free this year (its first under Live Nation).
I might be focusing on the wrong thing here but... Does this mean we're gonna get Aramarked? I would be pretty crushed if we started to lose some of the food vendors so that Aramark could microwave us some pizza and nachos
No you are not. Food is damn important. I would actually prefer if they had more options like at Coachella. That food was so good.
I might be focusing on the wrong thing here but... Does this mean we're gonna get Aramarked? I would be pretty crushed if we started to lose some of the food vendors so that Aramark could microwave us some pizza and nachos
No you are not. Food is damn important. I would actually prefer if they had more options like at Coachella. That food was so good.
As someone with a lot of experience with Aramark, that's not the kind of "options" you want on the farm...
Post by davidbyrnesbutler on Apr 28, 2015 9:59:40 GMT -5
There is a certain point where it'd make more sense for me to go to Coachella. If this Live Nation deal means another huge price increase, this could really change which festivals I decide to go to.
But my ticket is purchased this year and I'm excited to see what possible art projects are around. I also hope they continue trying to do more activities in the camping area. In 2013/2014 the non music portion of the festival wasn't a big part of my experience. With the shortening of set times I expect to catch a Comedy set or spend more time at the vendors.