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Here you'll find info about artists, rumors, camping tips, and the infamous Roo Clues. Have a look around then create an account and join in the fun. See you at Bonnaroo!!
Its weird how few tickets are om the secondary market for this. Only 61 weekend passes on Stubhub.
Yeah it was the same last year. Just wait till the week prior. You'll either win tickets or be able to get them dirt cheap from the facebook event page.
But I'd be careful if you are only trying to grab a single day. Apparently this year single day tickets are paper instead of a wristband. So that is going to lead to a lot of scammers.
Is it a case of scalpers not wanting to get stuck selling tickets at 75% off face like the last 2 years? There's no other fest that has such few tickets available on Stubhub.
Its weird how few tickets are om the secondary market for this. Only 61 weekend passes on Stubhub.
Yeah it was the same last year. Just wait till the week prior. You'll either win tickets or be able to get them dirt cheap from the facebook event page.
But I'd be careful if you are only trying to grab a single day. Apparently this year single day tickets are paper instead of a wristband. So that is going to lead to a lot of scammers.
Oh this is great news. Tickets could get extremely low this year
Yeah it was the same last year. Just wait till the week prior. You'll either win tickets or be able to get them dirt cheap from the facebook event page.
But I'd be careful if you are only trying to grab a single day. Apparently this year single day tickets are paper instead of a wristband. So that is going to lead to a lot of scammers.
Is it a case of scalpers not wanting to get stuck selling tickets at 75% off face like the last 2 years? There's no other fest that has such few tickets available on Stubhub.
Probably a bit of that. I also just don't think they have sold a lot of tickets.
Would love for that Ben Klock DJ Nobu set to turn up at Coachella next year.
About one-third of the way through his first back-to-back set with Ben Klock, DJ Nobu pulled off the craftiest transition I heard all weekend. Following a driving, vocal-laced tune from Klock, Nobu cued up Regis's "Purification," a percussive '90s techno track with a looped vocal snippet. The vocals synced perfectly, the intensity building as Nobu brought the fader up. At the transition's climax, Klock raised his hands and the crowd screamed, responding to the power of a great selection and a well-timed mix. The rest of the set was full of similar moments, reflecting both DJs' decades of combined experience. Where Nobu favoured more subtle, loopier tracks, Klock's understanding of big-time situations shone through, the Berghain DJ unafraid to reach for the filter or cue up a tune with a massive bassline to reenergise the crowd.
I'm late but I just wanna say that Mike Servito b2b Black Madonna set is trash and I've never been able to understand why amongst all the sets from that year, that one was one of if not the most hyped.
Also with the whole DJ argument; I personally wouldn't attend even consider attending Panorama if they didn't have their stage for DJs. They got like Theo Parrish AND Kerri Chandler last year or some shit like that.
I'm late but I just wanna say that Mike Servito b2b Black Madonna set is trash and I've never been able to understand why amongst all the sets from that year, that one was one of if not the most hyped.
Also with the whole DJ argument; I personally wouldn't attend even consider attending Panorama if they didn't have their stage for DJs. They got like Theo Parrish AND Kerri Chandler last year or some shit like that.
Post by Launchpad McQuack on Jun 19, 2018 6:51:58 GMT -5
Anybody going to see Floating Points at Analog BK this Saturday? Just like here, it is also not Floating Points live (which is a bummer because that show has live instruments, really cool visuals, and I highly recommend checking it out some time). But tickets are $15 instead of $130, its in a club with awesome sound, and the people going aren't just showing up to finish their burrito bowl and chill out until Lil Wayne comes on.
Yeah listen to the 30 something who rolled to Odesza in Delaware on a work night. He definitely knows what’s up!
His dj set is solid, just different than the live show. One could always attend pano AND the $15 Floating Points club show. There are no rules to this and some of you actually live in the city.
Last Edit: Jun 19, 2018 8:06:52 GMT -5 by Deleted - Back to Top
Yeah listen to the 30 something who rolled to Odesza in Delaware on a work night. He definitely knows what’s up!
His dj set is solid, just different than the live show. One could always attend pano AND the $15 Floating Points club show. There are no rules to this and some of you actually live in the city.
31. And if I get a free ticket I'll probably roll to Odesza on a work night here as well.
I feel like this is the third year in a row where a minor argument has broken out over how well or not well this thing will sell. As is the case with the past two years, I'm leaning on not well with the exception of Friday.
I feel like this is the third year in a row where a minor argument has broken out over how well or not well this thing will sell. As is the case with the past two years, I'm leaning on not well with the exception of Friday.
I feel like this is the third year in a row where a minor argument has broken out over how well or not well this thing will sell. As is the case with the past two years, I'm leaning on not well with the exception of Friday.
I am interested in seeing what cutting the attendance down from 40 to 30k is going to do for them. But I also think only Friday is going to do well.
Would love for that Ben Klock DJ Nobu set to turn up at Coachella next year.
About one-third of the way through his first back-to-back set with Ben Klock, DJ Nobu pulled off the craftiest transition I heard all weekend. Following a driving, vocal-laced tune from Klock, Nobu cued up Regis's "Purification," a percussive '90s techno track with a looped vocal snippet. The vocals synced perfectly, the intensity building as Nobu brought the fader up. At the transition's climax, Klock raised his hands and the crowd screamed, responding to the power of a great selection and a well-timed mix. The rest of the set was full of similar moments, reflecting both DJs' decades of combined experience. Where Nobu favoured more subtle, loopier tracks, Klock's understanding of big-time situations shone through, the Berghain DJ unafraid to reach for the filter or cue up a tune with a massive bassline to reenergise the crowd.
