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In conlusion, Roo used to have first tier lineups and second tier amenities. Now they have first class amenities and second tier lineups.
Well.....we have to wait and see how first class those amenities actually end up being. We know how many years it took before they put screens on the tents. Maybe we'll have one bathroom station this year. Two (plus a new filling station) next year. And a few more in following years. Bonnaroo 2020 will truly be worth it.
I really just think people on the internet have become bitchier over the years. Also, people on here would've hated the original Bonnaroo lineps that were basically just filled with jam bands. Times change. Now, you're just old complainers.
Nah.
Dude you would've hated the early lineups, no? I think those lineups are awesome. It's called different tastes. Unfortunately, young people like crappy music now, so we have to put up with some crap. There are some great bands on this lineup.
Also, which other fest lineup is all that great. I wasn't thrilled by Gov Ball in the slightest (that never gets me too much), Firefly sucked. I like Sasquatch a lot. Jazzfest is the best of the year by far.
/With my friends i'd be the first to support Bonnaroo, but like someone said nothing on this lineup is a wow factor or , and maybe that is because i lurk here and get all the scoopz during the off season so things like LCd aren't as exciting when i know they're confirmed months beforehand.
I do agree though, it is tough to say it is a 2nd tier fest so quickly. Personally, I don't think last year was a gigantic let down (as some of you believe, which you're entitled to), still had some gems like Atomic Bomb!, Kendrick (which was dope), EWF, Medeski Martin Scofield and Wood, and Slayer. This year just does not have any of that to me, and it is hard for me to honestly say to my friends, we should all go to this.
If it continues on this trend then yes, without a doubt it will start being considered a 2nd tier fest. But in truth there are still a lot of unknowns no? Like there could be an increase in art installations? Perhaps more permanent structures? Perhaps the Film screens are improved? Perhaps they do have some more things coming our way? Updates to sound on the stages? Though i'll have to admit so far i've been kinda let down with their "best is yet to come" shtick
The lineup is lacking tremendously i think, but i'm holding out hope like ITM that perhaps this is because they're trying to focus on more improvements to the grounds and unfortunately that is causing the lineup to take a hit.
Dude you would've hated the early lineups, no? I think those lineups are awesome. It's called different tastes. Unfortunately, young people like crappy music now, so we have to put up with some crap. There are some great bands on this lineup.
I think a lot of active members on here wouldn't have loved the early lineups too much because there aren't as many jam band fans that post on here as there were a few years back. But Juggs has talked up the early lineups a lot and has been positive towards that time. He's even admitted to really liking a number of jam bands during different periods in his life. Pretty sure he's gone to a couple of the first years of Roo (if not the first one).
Dude you would've hated the early lineups, no? I think those lineups are awesome. It's called different tastes. Unfortunately, young people like crappy music now, so we have to put up with some crap. There are some great bands on this lineup.
Also, which other fest lineup is all that great. I wasn't thrilled by Gov Ball in the slightest (that never gets me too much), Firefly sucked. I like Sasquatch a lot. Jazzfest is the best of the year by far.
On the contrary, I was at the first Bonnaroo. And the one after it, and many, many more. Even though those lineups were way, way different in terms of the genres featured, they still went out of their way to put together exciting rosters. The first was really just a mish-mash of jambands and a few outliers, but immediately after that, they started putting effort in to really make each lineup an incredible experience. "Young people like crappy music now" is such complete bullshit, and I don't buy it nor agree with it. Yes, there is popular music that I find incredibly grating, but it's always been like that. There's also lots of popular music that I think is just fine, and you'll often see me defending it on these forums. It's not "putting up with some crap," as you put it - it's putting up with a lot of crap, and a lot of reheated acts that bring nothing new or original to the table. This is the antithesis of what Bonnaroo was usually about, and that's what has people so dismayed. So knock it off with this "YOU JUST DON'T LIKE WHAT'S POPULAR WITH TEH KIDZ!!!!" nonsense, because it has zero to do with what's taking place here.
You would know better than me (and I'd like your opinion on this).....but does it seem like Roo is going after less talented artists these past few years? When I started going each year felt like they picked the most talented bands/artists who excelled at what they did and had a history of proven performances and were known for being a great live show. With the last few years it seems they care less about getting the best musicians with a lot of talent and are becoming more open to acts that are "hot right now" and buzzed about but not really well-rounded.
I don't know how to really explain it but it always felt like I could catch a ton of "the best" acts in their genres at Roo but I don't feel that way as much anymore. They have said in the past that they only really look for who can put on a great live show but now I feel like it's more about who is a big name that will draw in some people (even if they aren't really that good live). I'm sure there's some gold on the lineup but overall, in the past few years it feels like that it's less about talent and more about buzz.
Dude you would've hated the early lineups, no? I think those lineups are awesome. It's called different tastes. Unfortunately, young people like crappy music now, so we have to put up with some crap. There are some great bands on this lineup.
I think a lot of active members on here wouldn't have loved the early lineups too much because there aren't as many jam band fans that post on here as there were a few years back.
This is exactly how I feel. Personally, I don't care much for jam bands (outside of MMJ and The Grateful Dead), and I wouldn't have cared much for those early lineups based on music tastes alone (nothing to do with lineup "quality"). On the contrary, 2013 and 2014 were my favorite Bonnaroo lineups. Those lineups were much more diverse and indie-friendly than the early lineups, but they were also strong in terms of quality. Can't say the same for this year's lineup. It's not that the artists themselves are necessarily terrible. There's just too much mediocrity and a lack of truly unique, exciting, and critically well-received acts.
Post by Delicious Meatball Sub on Jan 20, 2016 12:23:27 GMT -5
There's a difference between booking music that is popular with the 18-23 demographic and frantically chasing YouTube stars in a desperate attempt to cling to relevancy.
Post by gryphonkin on Jan 20, 2016 12:23:48 GMT -5
We can debate this by lineup all we want, but in the end, the media is going to determine if Bonnaroo remains a first-tier fest in the casual fest goer's mind. Bonnaroo trended on both social and traditional media at a level that Jazz Fest, with a same day drop and their best lineup in years, didn't. Maybe a couple more years without a splash changes that and Rolling Stone, EW, etc won't spend as much time on it. Or alternately, as I expect will happen, Live Nation could protect its hefty investment, pull some strings with a LN touring band and get something like a U2 fest exclusive that would, while probably not being popular here, immediately put Roo back near the top of the media's festival reporting spotlight. Or this could be what we have, the nature of the fest changes and still sells well to a younger demographic and it continues to be seen as a Tier 1 fest, just with a different demographic served. It's way too early to tell.
Post by Delicious Meatball Sub on Jan 20, 2016 12:27:13 GMT -5
Reposting this, as it applies to the "it's just what the kids want these days" arguments. Oh, and I was also at the early Bonnaroos, and they were much different.
IDK, that's not a bad comparison, but I think that DMB and J. Cole garnered popularity for very different reasons. I developed a theory last year when I was trying to figure out this weird cult of "hip-hop heads" who think it's cool to trot around their knowledge of rappers like Logic, J. Cole, G Eazy, Mac Miller, Hopsin, etc. Particularly, Logic and J. Cole fans interested me, because many of their fans will make the erroneous claim that they are best alive right now. Interestingly, many of these people also tend to share a deep hatred for rappers on the radio particularly Drake, Kanye and in some cases Kendrick catches flack too.
My theory is that these people's tastes fall right in line with everything on the radio, but since there's no cool points to gain from listening to that they've found incredibly similar sounding artists in the internet underground to latch onto. So basically what's formed is an anti-Drake counter-culture of artists who all kinda sound like Drake.
Unrelated, but I've wondered if Halsey is ushering in a group of similar thinking people in the pop space.
I've been having trouble vocalizing what I don't like about this lineup, but this quote set it off for me. It's a lot of radio music, but I actually listen to the radio and I like pop music, so that's not really my problem. It's more that it's radio music for people who would never listen to the radio. It's a bunch of second tier pop acts that most people like, but aren't popular enough to ignite a backlash. Ellie Goulding, for example, is perfectly fine, but she's not a tier 1 pop star, and she's not a critical darling like a Sia, Robyn, Grimes. She's just safe. J Cole is supposed to appeal to Drake fans, but he isn't actually Drake. They got Miguel instead of The Weeknd. Death Cab is the safe indie band that everyone used to like but is clearly on the decline, like seeing Weezer on a lineup 3-4 years ago, or Smashing Pumpkins before that, rather than someone still on the come up like Vampire Weekend or Sufjan Stevens. It's a bunch of mainstream stuff, but nothing risky or terribly interesting.
And when they did book someone interesting at the top of the card, like Tame Impala or LCD or even the Dead, there's not much further down that's similar. They didn't even try to throw electronic music fans a bone beyond LCD Soundsystem. You'd think that if they're spending a (reported) large amount of money for one band, they'd throw a few more things on the lineup to appeal to the fans of that act they're hoping to attract. I'd love to see Bonnaroo do with the Christmas Barn what Okeebochee is doing with the Jungle Stage, but even short of that someone like Todd Terje or Simian Mobile Disco would add a little spark to the middle of the lineup.
And looking back at that 2008 lineup, it definitely lacks that totally bananas "great artists from all sorts of genres" thing they used to do. Bonnaroo used to be the "where else could you see Hall and Oates followed by Rae Sremmurd" type of place, but this lineup is very down the middle.
We can debate this by lineup all we want, but in the end, the media is going to determine if Bonnaroo remains a first-tier fest in the casual fest goer's mind. Bonnaroo trended on both social and traditional media at a level that Jazz Fest, with a same day drop and their best lineup in years, didn't. Maybe a couple more years without a splash changes that and Rolling Stone, EW, etc won't spend as much time on it. Or alternately, as I expect will happen, Live Nation could protect its hefty investment, pull some strings with a LN touring band and get something like a U2 fest exclusive that would, while probably not being popular here, immediately put Roo back near the top of the media's festival reporting spotlight. Or this could be what we have, the nature of the fest changes and still sells well to a younger demographic and it continues to be seen as a Tier 1 fest, just with a different demographic served. It's way too early to tell.
I hate this argument but at least it is measurable. You can't really measure the subjective quality of all this if people are still going to buy tickets. But that trending was surely not all positive.... is any press really good press?
Personally, I don't think last year was a gigantic let down (as some of you believe, which you're entitled to), still had some gems like Atomic Bomb!, Kendrick (which was dope), EWF, Medeski Martin Scofield and Wood, and Slayer. This year just does not have any of that to me, and it is hard for me to honestly say to my friends, we should all go to this.
I really loved last year! I thought it had plenty of interesting and also, worth it risky bookings, like Tanya Tagaq. Kendrick as a headliner doing TPaB stuff for the first time live. Just more unexpected bookings overall.
I hate this argument but at least it is measurable. You can't really measure the subjective quality of all this if people are still going to buy tickets. But that trending was surely not all positive.... is any press really good press?
Maybe, maybe not. But if you're two festivals both trying to sell Pearl Jam as a headliner, being the one all over social and traditional media isn't a bad thing in any way.
There's a difference between booking music that is popular with the 18-23 demographic and frantically chasing YouTube stars in a desperate attempt to cling to relevancy.
Who are the youtube stars? I probably don't know/haven't heard of them. Is it the Chainsmokers that everyone keeps complaining about?
Reposting this, as it applies to the "it's just what the kids want these days" arguments. Oh, and I was also at the early Bonnaroos, and they were much different.
IDK, that's not a bad comparison, but I think that DMB and J. Cole garnered popularity for very different reasons. I developed a theory last year when I was trying to figure out this weird cult of "hip-hop heads" who think it's cool to trot around their knowledge of rappers like Logic, J. Cole, G Eazy, Mac Miller, Hopsin, etc. Particularly, Logic and J. Cole fans interested me, because many of their fans will make the erroneous claim that they are best alive right now. Interestingly, many of these people also tend to share a deep hatred for rappers on the radio particularly Drake, Kanye and in some cases Kendrick catches flack too.
My theory is that these people's tastes fall right in line with everything on the radio, but since there's no cool points to gain from listening to that they've found incredibly similar sounding artists in the internet underground to latch onto. So basically what's formed is an anti-Drake counter-culture of artists who all kinda sound like Drake.
Unrelated, but I've wondered if Halsey is ushering in a group of similar thinking people in the pop space.
I've been having trouble vocalizing what I don't like about this lineup, but this quote set it off for me. It's a lot of radio music, but I actually listen to the radio and I like pop music, so that's not really my problem. It's more that it's radio music for people who would never listen to the radio. It's a bunch of second tier pop acts that most people like, but aren't popular enough to ignite a backlash. Ellie Goulding, for example, is perfectly fine, but she's not a tier 1 pop star, and she's not a critical darling like a Sia, Robyn, Grimes. She's just safe. J Cole is supposed to appeal to Drake fans, but he isn't actually Drake. They got Miguel instead of The Weeknd. Death Cab is the safe indie band that everyone used to like but is clearly on the decline, like seeing Weezer on a lineup 3-4 years ago, or Smashing Pumpkins before that, rather than someone still on the come up like Vampire Weekend or Sufjan Stevens. It's a bunch of mainstream stuff, but nothing risky or terribly interesting.
And when they did book someone interesting at the top of the card, like Tame Impala or LCD or even the Dead, there's not much further down that's similar. They didn't even try to throw electronic music fans a bone beyond LCD Soundsystem. You'd think that if they're spending a (reported) large amount of money for one band, they'd throw a few more things on the lineup to appeal to the fans of that act they're hoping to attract. I'd love to see Bonnaroo do with the Christmas Barn what Okeebochee is doing with the Jungle Stage, but even short of that someone like Todd Terje or Simian Mobile Disco would add a little spark to the middle of the lineup.
And looking back at that 2008 lineup, it definitely lacks that totally bananas "great artists from all sorts of genres" thing they used to do. Bonnaroo used to be the "where else could you see Hall and Oates followed by Rae Sremmurd" type of place, but this lineup is very down the middle.
The best argument is that last thing you said. That's the easiest to objectively measure too when you break it down by genre. Even if I like the lineup, I still have to agree with that. Because even if I didn't see those random artists, it still added a unique factor to the fest (that actually has to do with the lineup this time ). Kinda like a benefit from a subscription service I'll never use but it was a nice selling point and I'm glad it's there if I want it.
I may be clinging onto something here out of love for the festival, but bonnaroo still offers longer sets (including full "unopposed" headliner sets) than most mainstream festivals. It's the one thing they've kinda hung on to from the days of being predominantly a jam festival (although sets were noticeably shorter last year)
Pearl Jam and Dead and Co. (and maybe even LCD and Tame Imapla) will rocket those average set times up this year. That's one (of the few) things I'm excited about.
Post by omgitsbonnaroo on Jan 20, 2016 12:41:04 GMT -5
I personally feel pop music is much crappier now than in the past, so that's what generated my "young people like crappy music now" comment. Perhaps I'm wrong, but the sense I get is that the younger people I know have no desire to listen to good music/find great artists like I do. Without even doing research, there are still at least 20 bands here I'd be genuinely excited to see. Also I really like Griz and The Floozies in terms of electronic stuff (they're more in the jam scene I guess?) IDK. To each their own.
No, it is not a second tier fest. The overreaction on this board has been mind-numbing. If you're look for a Euro-style camping fest in the US you're options are essentially Bonnaroo...and nothing else. There is no other festival that allows access to their ground 24hrs for the entire duration of the fest. Gov Ball, Hangout, Shaky Knees, (even Coachella to an extent) are all noon-midnight fest where when it's done you enter back out into the real world and prepare for the next day.
Roo still has that ability to completely immerse you for 4/5 days. No other fest will be able to deliver on that, also when you look at the other amenities that Roo offers (that many take for granted) like the Comedy Theater, Cinema, Kalliope, Xmas Barn, Brooers, etc. no other US fest has gone to the extent they have to offer non-music programming during the fest. At Coachella if you don't like what bands are playing at a certain time, you don;t have many other options beyond....ummmm the ferris wheel or go look at some art? While the lineup is dissapointing this year, the setup and idea behind Bonnaroo are what keep me coming back.
Though I agree with this, people on this board are strongly vocal about lineup content. And they have every right to be at a music and arts fest. But I discussed in another thread about wanting to go to a movie premiere even if I wasn't that into the movie because the experience and the crowd is fun. At least to me. But, when does a lineup get so bad that this other stuff is disregarded? And for people that disagree with gearbm95, is it wrong for Bonnaroo to be marketing themselves as a experience?
1st tier: Glastonbury, Coachella, Lollapalooza, Bonnaroo, ACL 2nd Tier: Governors Ball, Firefly, Outside Lands, Hangout, Osheaga, Shakey Knees, Sasquatch, Voodoo 3rd Tier: Life Is Beautiful, Bottlerock, FYF, Boston Calling, Forecastle, Made In America, Bunbury, Music Midtown
i know plenty of you will disagree with me
What's your scale for this? Personal artist preference, price, attendance, critical reception, etc?
i guess a mix of how big/deep/good of a lineup is delivered every year in comparisons to other fests, also with size kind of contributing. a lot of gut feelings in this one.
Post by Fozzie Bear on Jan 20, 2016 12:48:26 GMT -5
It's nuts because the bottom of the lineup at least resembles a traditional Roo lineup. Hundred Waters, Kamasi Washington, The Knocks, Daughter, Dungen, Bully, Waxahatchee, etc. Yet the rest of the lineup is so awful.
1st tier: Glastonbury, Coachella, Lollapalooza, Bonnaroo, ACL 2nd Tier: Governors Ball, Firefly, Outside Lands, Hangout, Osheaga, Shakey Knees, Sasquatch, Voodoo 3rd Tier: Life Is Beautiful, Bottlerock, FYF, Boston Calling, Forecastle, Made In America, Bunbury, Music Midtown
i know plenty of you will disagree with me
Glastonbury is head and shoulders beyond anything else you've listed here. It simply dwarfs everything else, and there's zero point in comparing it to anything in the U.S.
I was about to say it's odd you only included one euro fest. That just to make us all feel better?
Post by 3post1jack1 on Jan 20, 2016 12:56:17 GMT -5
I love discussions like this. Ranking things and/or arranging things in tiers is a favorite pastime of mine.
Please correct me if I'm wrong, but I think the best way to determine what is a first tier festival is ticket sales. Last year the inforoo hive mind was convinced ticket sales would be way down and there would be plenty of space in centeroo. Nobody has hard ticket sales numbers but it certainly felt as crowded if not even more crowded than the previous two years.
So we'll just have to wait and see what this year feels like, but I'm willing to bet they'll sell a shitload of tickets and it will be super crowded, regardless of what we all think of the lineup. And as long as Roo sells a shitload of tickets they'll always be one of the "big four" American music festivals, even if the lineups that sell those tickets aren't to the taste of those who have attended and enjoyed bonnaroo in the past.
The opposite of what meatball says and pretty much what Matt says. No. I guess iit comes down to the criteria you are using to distinguish one tier from another. I would think some criteria might be:
1) number of attendees, number of ticket sales, total revenue, production cost, number of bands, number of Grammy winners playing, other awards, performer ratings, cost to attend 2) qualitative factors like results of surveys, repeat attendees, breadth of appeal, location, things to do other than music, weather, arrest reports, camping,
For the southern-eastern region of the country, Bonnaroo is consistently 135,000 attendees, over 100 performers and entertainers, they attract top headliners based on current concert attendance, legacy, other. I live twenty miles from the farm and would rather go to Hangout. I don't like Bonnaroo because it is top tier. Plus the dirt, crowd, most performers, etc. But, to say Bonnaroo is not top tier...nah.
I'm glad someone brought up the change in booking focus. That to me says a lot about the future direction of the fest and how confident they feel in their trajectory.
Coachella has never deviated from their brand. It's difficult to articulate exactly what their aim is, but it's mainly as attempting to be the vanguard for collective music taste across genres. Tastemakers across genre and era.
Lolla has never, EVER deviated. They book what the averge 18-22 year old college kid wants to hear. Their audience might age - but the demo does not. It's true for 1995, 2005, or 2015.
Bonnaroo used to be kind of jammy, kind of weird, kind of unpredictable. Now it's looking like a faceless regional fest for a corporate entertainment monolith. But with toilets and vibes.