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Post by SupeЯfuЯЯyanimal on Jun 20, 2017 14:02:07 GMT -5
Sorry, guys. I've been in Cali and haven't used Photoshop for years. Got sidetracked goofing around with posters. I'll try to get my movie pick up here in a second. Not trying to make things confusing.
^^^The Force Awakens production office.
Rick Carter - Production Designer for pick #228
For Production Design I wanted someone with a proven track record in science fiction AND historical dramas. Which is kind of a tall order. The narrative calls for an ability to seamlessly traverse a 60 year time period, while also having a smaller but just as significant need for science fiction elements. Since the protagonist "learns" to experience reality in four dimensions the narrative is open to all sorts of cinematic possibilities. While most of the tricks needed to accomplish this fall with the director and cinematography it won't work if the surroundings the protagonist finds himself in aren't crafted with the utmost care for historical accuracy and dramatic weight. But then, some of the settings and imagery will be retro Sci-fi. So I need someone who can do both.
Historical/Period Pieces
Sci-fi/Fantasy
Back to the Future 2 & 3
Back to the Future 2 & 3
Forrest Gump
Jurassic Park
Amistad
A.I. : Artificial Intelligence
Munich
War of the Worlds
Lincoln
Avatar
War Horse
Star Wars: The Force Awakens
Production note: I especially want the war to look wonderful, so we'll have a lot more of them.
Drew Goddard - Screenwriter - he's funny, he's got a sci fi background, he's got an action background, and has experience re-working source material without ruining it.
Completely aside from Cabin in the Woods just being a great movie, this may be the best gif I've ever seen.
there were a lot of murderous creature gifs to choose from, but this was the clear winner. I was hoping for a gif of Hemsworth saying 'Transferred from State, best hands on the team' because it might be the best one liner, but this works.
Post by SupeЯfuЯЯyanimal on Jun 20, 2017 15:05:50 GMT -5
The semi-autobiographical war novel of a World War II veteran who gets kidnapped by aliens and learns to see time in the forth dimension(Maybe?). This seminal work of dark satire and metafiction has been brought to the screen before and the adaption was somewhat well-received, although mostly forgotten by the public. It was, however, limited by the technology of the time and a more classical style of filmmaking that mostly used traditional flashbacks to illustrate Billy Pilgrim's perception of time and space.
Enter the mad genius of Michel Gondry and Charlie Kaufman. Two men who've plied their trade in metafiction, surrealism and visualized mindscapes. No one else in Hollywood could adapt this screenplay as Kaufman can. With that, Gondry is free to employ all the visual tricks he is famous for. Taking the audience seamlessly from the fire bombing of Dresden to any other points in Pilgrim's life.
Since the narrative is clearly not straightforward, Kaufman and Gondry will have free creative reign for experimentation. For example, Vonnegut's alter ego Kilgore Trout will not only be in the film but some of his trashy sci-fi novels will be visualized. Since they are presented as pulp, Gondry has free reign to use his DYI sensibilities to recreate some retro sci-fi scenes.
This is why I wanted Richard Taylor and Weta as my visual effects company. They will be responsible for working with Gondry to create the Tralfamadorians and other creatures using prosthetics, puppetry and any other practical effects means. They will also be making miniatures for the firebombing of Dresden which is the center of the book and needs to be both realistic and large scale.And obviously special make-up effects for the carnage of war...
Rick Carter will be responsible for bringing war torn Northern Europe to life, as well as vignettes from 5 decades of American history. He'll also be using his extensive experience in science fiction to bring the Transmalfadorian planet to life, as well as scenes from a few Kilgore Trout's novels.
The semi-autobiographical war novel of a World War II veteran who gets kidnapped by aliens and learns to see time in the forth dimension(Maybe?). This seminal work of dark satire and metafiction has been brought to the screen before and the adaption was somewhat well-received, although mostly forgotten by the public. It was, however, limited by the technology of the time and a more classical style of filmmaking that mostly used traditional flashbacks to illustrate Billy Pilgrim's perception of time and space.
Enter the mad genius Michel Gondry and Charlie Kaufman. Two men who've plied their trade in metafiction, surrealism and visualized mindscapes. No one else in Hollywood could adapt this screenplay as Kaufman can. With that, Gondry is free to employ all the visual tricks he is famous for. Taking the audience seamlessly from the fire bombing of Dresden to any other points in Pilgrim's life.
Since the narrative is clearly not straightforward, Kaufman and Gondry will have free creative reign for experimentation. For example, Vonnegut's alter ego Kilgore Trout will not only be in the film but some of his trashy sci-fi novels will be visualized. Since they are presented as pulp, Gondry has free reign to use his DYI sensibilities to recreate some retro sci-fi scenes.
This is why I wanted Richard Taylor and Weta as my visual effects company. They will be responsible for working with Gondry to create the Tralfamadorians and other creatures using prosthetics, puppetry and any other practical effects means. They will also be making miniatures for the firebombing of Dresden and the carnage of war... which is the center of the book and needs to be both realistic and large scale.
Rick Carter will be responsible for bringing war torn Northern Europe to life, as well as vignettes from 5 decades of American history. He'll also be using his extensive experience in science fiction to bring the Transmalfadorian planet to life, as well as scenes from a few Kilgore Trout's novels.
Post by SupeЯfuЯЯyanimal on Jun 20, 2017 15:16:23 GMT -5
Eddie Redmayne as Billy Pilgrim Scarlett Johansson as Montana Wildhack Oscar Issac as Eliot Rosewater John C. Riley as Edgar Derby Lucas Hedges as Roland Weary Elizabeth Olsen as Barbara Pilgrim with Bradley Cooper as Howard W. Campbell Jr.(aka The American Nazi) and Mark Rylance as Kilgore Trout and The Narrator.
Special Effects Supervisor: Richard Taylor of WETA Workshop Production Design by Rick Carter Director of Photography: Robert Richardson Written for the screen by Charlie Kaufman Directed by Michel Gondry
I'm not a huge fan of the first poster. Very rusty on Photoshop. I'm making character posters for everyone but I just didn't have time to finish before I needed to make my pick. Here's a preview of two WORKS IN PROGRESS. I'm going for the look of pulp sci-fi books from the 40s and 50s. Obviously heavy on the dark humor and schlocky presentation. With a lot of 70s exploitation influence.
Post by LoveLuckLaughter on Jun 20, 2017 15:33:26 GMT -5
NothingButFlowers, you can go before me. I am flooded with orders here at work today and I need to type out which parts each actor is playing in my movie and I only have it 1/2 way done. I don't want to hold you up.
We're all a mess of paradoxes. Believing in things we know can't be true. We walk around carrying feelings too complicated and contradictory to express. But when it all becomes too big, and words aren't enough to help get it all out, there's always music.
Photoshop? I used this for the billing block. It's real pain in the ass to get used to but it looks pretty legit.
I've been using a mix of online things/programs I have (not photoshop) to touch up all my images, but yeah the credit text has been by far the most difficult part to nail down.
Post by LoveLuckLaughter on Jun 20, 2017 16:40:13 GMT -5
Film: Harold and Maude
Harold Chasen(Jared Gilman), a 20 year old death-obsessed young man, can't seem to find anything to live for. Uninspired by his life of wealth, his only gratification comes from faking his own suicides and attending funerals, much to the chagrin of his imperious mother, Mrs. Chasen (Tilda Swinton). All of this changes when he meets 79 year old Maude (Lily Tomlin). Her zest for life and endearing peculiarities prove irresistible to young Harold. An unlikely love affair grows as off-beat adventures unfold. Dark and clever, this film will leave the viewer with a new appreciation for the boundaries (or lack thereof), in life and love. Todd Solondz's ability to push a black comedy to the outer most margins meets the quirky charm and invented reality of Wes Anderson film-making in this exquisitely shot remake of the 1971 film. Starring Edward Norton as "Uncle Victor", Owen Wilson as “Glaucus”, Jeff Goldblum as “The Priest”, Jason Schwartzman as “The Psychiatrist” and Saoirse Ronan as the zany “Sunshine Dore”. Original Cat Stevens’ soundtrack performed by Sufjan Stevens.
Lily Tomlin: Maude Jared Gilman: Harold Tilda Swinton: Mrs. Chasen Owen Wilson: Glaucus Edward Norton: Uncle Victor Jeff Goldblum: The Priest Jason Schwartzman: The Psychiatrist Saoirse Ronan: Sunshine Dore
Director: Wes Anderson Screenplay: Todd Solondz Original soundtrack performed by Sufjan Stevens.
Edit: SFA is still working on the poster :-) And need to change a typo. But, here is the rough draft.
We're all a mess of paradoxes. Believing in things we know can't be true. We walk around carrying feelings too complicated and contradictory to express. But when it all becomes too big, and words aren't enough to help get it all out, there's always music.
Harold Chasen(Jared Gilman), a 20 year old death-obsessed young man, can't seem to find anything to live for. Uninspired by his life of wealth, his only gratification comes from faking his own suicides and attending funerals, much to the chagrin of his imperious mother, Mrs. Chasen (Tilda Swinton). All of this changes when he meets 79 year old Maude (Lily Tomlin). Her zest for life and endearing peculiarities prove irresistible to young Harold. An unlikely love affair grows as off-beat adventures unfold. Dark and clever, this film will leave the viewer with a new appreciation for the boundaries (or lack thereof), in life and love. Todd Solondz's ability to push a black comedy to the outer most margins meets the quirky charm and invented reality of Wes Anderson film-making in this exquisitely shot remake of the 1971 film. Starring Edward Norton as the "Uncle Victor", Owen Wilson as “Glaucus”, Jeff Goldblum as “The Priest”, Jason Schwartzman as “The Psychiatrist” and Saoirse Ronan as the zany “Sunshine Dore”. Original Cat Stevens’ soundtrack performed by Sufjan Stevens.
Lily Tomlin: Maude Jared Gilman: Harold Tilda Swinton: Mrs. Chasen Owen Wilson: Glaucus Edward Norton: Uncle Victor Jeff Goldblum: The Priest Jason Schwartzman: The Psychiatrist Saoirse Ronan: Sunshine Dore
Director: Wes Anderson Screenplay: Todd Solondz Original soundtrack performed by Sufjan Stevens.
Edit: SFA is still working on the poster :-) And need to change a typo. But, here is the rough draft.
Post by LoveLuckLaughter on Jun 20, 2017 17:03:31 GMT -5
I was going to have Wes Anderson do a horror movie. Likely his favorite film, Rosemary's Baby. But I love Harold and Maude, and it is a perfect fit for Anderson. And someday I'm going to be Maude, with my sunflowers and hula-hoops and patchwork skirts and some long silver hair dyed pink. Old hippie lady coming to a festival near you 40 years from now.
And anyone doubting how Anderson would translate to horror, check this shit out.
We're all a mess of paradoxes. Believing in things we know can't be true. We walk around carrying feelings too complicated and contradictory to express. But when it all becomes too big, and words aren't enough to help get it all out, there's always music.
SupeЯfuЯЯyanimal
Bleary-Eyed Bonnawook Globlist Facist Slave Dog
I've been using a mix of online things/programs I have (not photoshop) to touch up all my images, but yeah the credit text has been by far the most difficult part to nail down.
if you want... I can add the billing list in Photoshop when you're done? Would take a couple minutes.that's an option.
I've been using a mix of online things/programs I have (not photoshop) to touch up all my images, but yeah the credit text has been by far the most difficult part to nail down.
if you want... I can add the billing list in Photoshop when you're done? Would take a couple minutes.that's an option.
I was going to have Wes Anderson do a horror movie. Likely his favorite film, Rosemary's Baby. But I love Harold and Maude, and it is a perfect fit for Anderson. And someday I'm going to be Maude, with my sunflowers and hula-hoops and patchwork skirts and some long silver hair dyed pink. Old hippie lady coming to a festival near you 40 years from now.
And anyone doubting how Anderson would translate to horror, check this shit out.
Post by NothingButFlowers on Jun 20, 2017 18:40:17 GMT -5
Film: Clue (1985) Directors: The Coen Brothers
Cast:
Michael Sheen as Wadsworth Paul Dano as Mr. Green Julianne Moore as Ms. Scarlet Paul Giamatti as Professor Plum Molly Parker as Mrs. White Frances McDormand as Mrs. Peacock Matt Walsh as Colonel Mustard Billy Bob Thornton as Mr. Boddy
I was going to have Wes Anderson do a horror movie. Likely his favorite film, Rosemary's Baby. But I love Harold and Maude, and it is a perfect fit for Anderson. And someday I'm going to be Maude, with my sunflowers and hula-hoops and patchwork skirts and some long silver hair dyed pink. Old hippie lady coming to a festival near you 40 years from now.
And anyone doubting how Anderson would translate to horror, check this shit out.
We're all a mess of paradoxes. Believing in things we know can't be true. We walk around carrying feelings too complicated and contradictory to express. But when it all becomes too big, and words aren't enough to help get it all out, there's always music.
Post by trantsgiving on Jun 21, 2017 0:12:55 GMT -5
"12 men of all different backgrounds come to deliberate on a case in which a young man has been accused of murdering his father. Although all jurors seem to be set on the idea that the young man is guilty of the crime, Juror #8 (Mark Ruffalo) presents the initial claim that the jury is not able to convict him beyond a "reasonable doubt". Many of the jurors are aggravated with this decision as some believe he is guilty while others do not care and just want to get home early. Juror #8 proposes many questions and scenarios that question whether or not the young man killed his father. However, Juror #3 (Brian Cranston) and Juror #10 (Robert De Niro) prove to be his strongest opposition throughout the deliberation as they continually insist that the young man is guilty
Can anyone help out with a poster? SupeЯfuЯЯyanimal , wanna be a homie?
I'll give it a shot but I'm not familiar with this movie. I'll try to watch it at some point but, as I joke on here often, I'm not really a Nolan fan. PM me some poster ideas and/ or visuals and I'll go from there.
I'm willing to help anyone with their posters but I don't know how much I can do before the voting starts.
I'd love it if you could do one for me. I have zero experience with this and was planning on just rolling with a text listing but if you could do something, that would be amazing!
Okay. I just realized that we had completed drafting! I'll update the OP tonight.
RE: Free agents. That was not part of the original rules so it needs to come to a vote. Please shout out a) if you're in favor of free agents and b) how many you think should be allowed.
Let's say we have up to 6 PM Eastern tomorrow to resolve the free agent issue and then we'll see where we are with posters for whoever is doing them. (I don't want to drag things out but there's no reason to rush this after all of the work people put in and, frankly, these posters could conceivably be much more challenging than the festival ones were.)
Also, ken, dan, potent, black bush all passed at least one pick, not sure if all that was ever cleared up, but if there are any picks still on the table those should be taken care of before any FA/vote.
As far as FA's I'm fine with them, I think any number really, different from a festival having X number of bands, tbh I'd only take 2 or 3 more (one of them would be to keep Pena from playing two roles, but that's grown on me).
